blackbookink In Information, Mural Artist

How to Book an Artist for a Mural: A Step-by-Step Guide

Guide on how to book an artist for a mural of graffiti art project

If you’re looking to book an artist for a mural, you’re embarking on an exciting journey to transform a blank wall into a vibrant masterpiece. Whether it’s for your home, business, or community space, hiring the right muralist requires careful planning and execution. This guide will walk you through the process of booking an artist for a mural, ensuring your project is a success.

1. Define Your Vision and Goals

Before you book an artist for a mural, it’s essential to have a clear vision of what you want. Ask yourself:

- What is the purpose of the mural? (e.g., branding, community engagement, personal expression)
- What style or theme are you looking for? (e.g., abstract, realistic, graffiti, cultural)
- Where will the mural be located? (indoor, outdoor, size, surface type)
- What is your budget and timeline?

Having a well-defined vision will help you communicate your needs effectively when you reach out to artists.

2. Research and Find the Right Artist

To book an artist for a mural, you need to find someone whose style and experience align with your vision. Here’s how:

Search Online: Use platforms like Instagram, Behance, or Pinterest to discover mural artists. Use keywords like “mural artist near me” or “hire mural artist” to narrow your search.

Check Portfolios: Look for artists with a strong portfolio of previous work. Pay attention to their style, quality, and versatility.

Read Reviews: If the artist has worked on commercial or community projects, check for testimonials or reviews.

Local Art Scenes: Visit local galleries, art fairs, or street art festivals to find talented muralists in your area.

3. Reach Out and Discuss Your Project

Once you’ve identified a few artists, it’s time to book an artist for a mural by initiating contact. Here’s what to include in your initial inquiry:

- A brief description of your project (location, size, theme, and timeline).
- Your budget range (if possible).
- Reference images or inspiration for the mural.
- Ask about their availability and process.

Many artists will provide a consultation to discuss your ideas in detail and offer their creative input.

illustration office mural painted by book an artist Blackbook Ink Murals

4. Review Proposals and Quotes

After discussing your project, the artist will likely provide a proposal or quote. This should include:

A concept sketch or design idea.

A breakdown of costs (materials, labour, travel, etc.).

A timeline for completion.

Terms and conditions (e.g., payment schedule, revisions).

Take your time to review the proposal and ensure it aligns with your vision and budget. Don’t hesitate to ask questions or request adjustments.

5. Finalize the Agreement

Once you’re satisfied with the proposal, it’s time to book an artist for a mural officially. This involves:

Signing a contract that outlines the scope of work, payment terms, timeline, and ownership rights.

Paying a deposit (typically 30-50% of the total cost) to secure the artist’s services.

Confirming the start date and any logistical details (e.g., wall preparation, permits for public spaces).

6. Prepare the Space

Before the artist begins, ensure the wall or surface is ready:

- Clean and prime the surface if necessary.
- Obtain any required permits or permissions (especially for public or commercial spaces).
- Provide the artist with access to the site and any necessary equipment (e.g., scaffolding, lighting).

Graffiti portrait of Ali painted by one of our hired graffiti artists

7. Monitor Progress and Provide Feedback

While the artist works on the mural, maintain open communication:

- Check in periodically to see the progress.
- Provide constructive feedback if needed (respecting the artist’s creative process).
- Address any issues or concerns promptly.

Mural artists hired to paint a technology based mural for a law firm

Once the mural is complete, take the time to appreciate the artist’s hard work:

- Finalize payment as per the agreement.
- Share the mural on social media and tag the artist to give them credit.
- Consider hosting an unveiling event to showcase the artwork to your community or customers.

Why Book an Artist for a Mural?

Booking a professional artist for a mural offers numerous benefits:

- Unique Artwork: A custom mural adds personality and character to any space.
- Enhanced Aesthetics: Murals can transform dull walls into eye-catching focal points.
- Community Engagement: Public murals often become landmarks that inspire and unite people.
- Brand Identity: For businesses, murals can reinforce branding and attract customers.

Conclusion

Learning how to book an artist for a mural is a rewarding process that requires careful planning and collaboration. By defining your vision, researching artists, and communicating effectively, you can bring your mural project to life. Whether it’s for personal enjoyment, business branding, or community enrichment, a well-executed mural is an investment in creativity and culture.

Ready to book an artist for a mural? Start your search today and turn your walls into works of art!

blackbookink In Art News, Mural Artist

Why Invest in Custom Murals for Your Business?

Commercial mural painted for CNR 50 Cafe in Concord, NSW

In today’s competitive business landscape, standing out is more important than ever. Companies are constantly seeking innovative ways to capture attention, create memorable experiences, and build a strong brand identity. One increasingly popular and impactful way to achieve this is through custom murals. These large-scale, hand-painted or digitally printed artworks are more than just decorative elements—they are powerful tools for storytelling, branding, and customer engagement. Here’s why investing in custom murals for your business is a smart move:

1. Make a Lasting First Impression

First impressions matter, and a custom mural can instantly transform your business space into a visually stunning environment. Whether it’s on the exterior of your building, in your lobby, or as a centerpiece in your store, a mural grabs attention and sets the tone for what customers can expect from your brand. A well-designed mural can convey creativity, professionalism, and a commitment to quality, all before a customer even walks through the door.

2. Enhance Your Brand Identity

Custom murals offer a unique opportunity to visually communicate your brand’s story, values, and personality. Unlike generic decor, a mural can be tailored to reflect your company’s mission, culture, or even your local community. For example, a coffee shop might feature a mural of coffee beans and local landmarks, while a tech company could incorporate futuristic designs and digital elements. This level of customization helps reinforce your brand identity and makes your business more memorable.

3. Create a Shareable Experience

In the age of social media, creating an Instagram-worthy space is a surefire way to boost your business’s visibility. Custom murals are inherently photogenic and often become local landmarks or viral sensations. Customers love to take photos in front of eye-catching murals and share them online, effectively giving your business free advertising. This organic reach can attract new customers and build buzz around your brand.

4. Boost Employee Morale and Productivity

A well-designed workspace isn’t just for customers—it’s for your employees too. Custom murals can transform a dull office or retail space into an inspiring and motivating environment. Studies have shown that aesthetically pleasing workspaces can improve employee morale, creativity, and productivity. By investing in a mural, you’re not just decorating your space; you’re investing in your team’s well-being and performance.

5. Stand Out in a Competitive Market

In crowded markets, differentiation is key. A custom mural can set your business apart from competitors by creating a unique and memorable experience. Whether it’s a bold, abstract design or a detailed narrative piece, a mural can make your business the talk of the town. It shows that you’re willing to go the extra mile to create something special for your customers.

6. Support Local Artists and Build Community Ties

Commissioning a custom mural often involves collaborating with local artists, which can strengthen your ties to the community. By supporting local talent, you demonstrate a commitment to cultural enrichment and community engagement. This can enhance your business’s reputation and foster goodwill among customers and residents.

7. Increase Foot Traffic and Sales

A visually striking mural can act as a magnet, drawing people into your business. Whether it’s curious passersby or social media followers eager to see the mural in person, increased foot traffic often translates into higher sales. Additionally, murals can create a welcoming atmosphere that encourages customers to stay longer, explore more, and return in the future.

8. A Long-Term Investment

Unlike temporary advertising or decor, custom murals are a long-term investment. High-quality murals can last for years with minimal maintenance, making them a cost-effective way to enhance your space. Over time, the mural becomes a recognizable part of your brand, contributing to its legacy and value.

9. Versatility Across Industries

Custom murals are incredibly versatile and can be adapted to suit a wide range of industries. From retail stores and restaurants to offices, gyms, schools, and healthcare facilities, murals can enhance any space. They can be used to create themed environments, highlight products or services, or simply add a touch of artistry to an otherwise ordinary setting.

10. Express Your Commitment to Creativity and Innovation

Finally, investing in a custom mural sends a powerful message about your business: that you value creativity, innovation, and the power of art. In a world where consumers are increasingly drawn to brands with a strong sense of purpose and authenticity, a mural can help you connect with your audience on a deeper level.

Conclusion

Custom murals are more than just decorations—they are strategic investments that can elevate your brand, attract customers, and create a lasting impact. By transforming your space into a work of art, you’re not only enhancing its aesthetic appeal but also building a stronger connection with your audience. Whether you’re a small business owner or the head of a large corporation, a custom mural is a creative and effective way to make your mark.

So, why wait? Start envisioning the perfect mural for your business today and watch as it brings your brand to life in ways you never imagined. Let us Turn Your Vision into a Reality.

blackbookink In Information, Mural Artist, Schools

Painted Murals vs. Vinyl Murals : Choosing the Right Option for You

School Murals Sydney painted at Fairvale Public School

If you’re looking to enhance the visual appeal of your space, whether it’s a school, business, or community facility, murals offer an impactful way to achieve this. But when it comes to murals, you have two main options: hand-painted murals or vinyl murals.

Each option has its own advantages and disadvantages, but if you’re looking for longevity, creative flexibility, and durability, painted murals are the superior choice. Below, we explore the key differences, advantages, and disadvantages of each approach to help you make an informed decision.

What is a Painted Mural?

A painted mural is a hand-crafted artwork created directly on the wall using high-quality paints. These murals are typically created by skilled artists who tailor the design to the space, allowing for complete customization. Painted murals can be created on indoor or outdoor walls and are often sealed to withstand weather and vandalism.

What is a Vinyl Mural?

Vinyl murals are printed graphics applied to walls using adhesive backing. The design is created digitally, printed onto vinyl material, and then attached to the wall. While they can offer a faster and cheaper solution, vinyl murals are limited in durability and design flexibility.

Advantages of Painted Murals

1. Long-Lasting Durability

When done properly, painted murals last for many years, even in outdoor environments. Weather-resistant paints and protective sealants ensure that the mural stays vibrant and intact for the long term. This makes painted murals a cost-effective investment as they require minimal maintenance over time.

2. Graffiti Resistance

Painted murals can be coated with anti-graffiti sealants, making it easy to clean off unwanted tags or scribbles without damaging the artwork. This feature is especially useful for schools, public spaces, and high-traffic areas.

3. Seamless Integration with Architecture

Unlike vinyl, painted murals blend perfectly with the architectural features of a wall. Vents, pipes, and uneven surfaces are no obstacle for a skilled muralist, who can incorporate these elements into the design. This leads to a more immersive and polished final look.

4. Works on Any Wall Condition

Unlike vinyl murals, which require a smooth, clean surface, painted murals can be created on virtually any wall. Even rough-textured or weathered walls can be transformed into a smooth, cohesive canvas for a mural.

5. Custom, Bespoke Art

Every painted mural is a one-of-a-kind artwork designed specifically for the space it occupies. This allows for full creative freedom to develop concepts that reflect school values, brand identity, or the character of a space. Vinyl murals, on the other hand, are limited by the constraints of digital design and printing.

Disadvantages of Painted Murals

1. Higher Upfront Cost

Painted murals require the expertise of a skilled artist, which means they may have a higher initial cost than vinyl murals. However, the superior longevity and minimal maintenance costs make painted murals more cost-effective in the long term.

2. Longer Installation Time

Hand-painted murals take time to complete as they require surface preparation, sketching, painting, and sealing. This contrasts with vinyl murals, which can be printed and installed quickly. However, if longevity is a priority, the extra time investment is worth it.

Advantages of Vinyl Murals

1. Quick Turnaround Time

Once the design is ready, vinyl murals can be printed and applied quickly. This makes them suitable for projects with tight deadlines or events that require temporary graphics.

2. Cost-Effective (Initially)

Vinyl murals are cheaper upfront compared to painted murals. This is due to the lower cost of materials and the ability to mass-produce them using printers.

3. Removable Without Permanent Damage

Vinyl murals can be removed without causing permanent damage to the wall, making them ideal for rented spaces or temporary displays. However, removal can sometimes leave behind adhesive residue (more on that later).

Disadvantages of Vinyl Murals

1. Easily Damaged

Vinyl murals are fragile and prone to damage from curious hands, scuffs, and scratches. In areas with high foot traffic or in environments with children, vinyl murals often get peeled, scratched, or torn.

2. Vulnerable to Moisture

Moisture is one of vinyl’s biggest weaknesses. If the wall is prone to dampness or condensation, the adhesive backing can loosen, causing bubbles, warping, or complete detachment of the mural. This makes them unsuitable for areas like bathrooms, kitchens, or outdoor spaces.

3. Can Damage Wall Paint

If left on a wall for too long, vinyl murals can bond with the paint. When removed, they often pull chunks of paint with them, resulting in unsightly patches that require wall repair.

4. Susceptible to Fading & Discoloration

Prolonged exposure to sunlight can cause vinyl murals to fade or yellow. The colours are also more prone to distortion under extreme heat, unlike UV-resistant painted murals that are designed to maintain colour vibrancy over time.

5. Leaves Sticky Residue

Vinyl murals often leave behind adhesive residue after removal. This residue can be challenging to clean and may require solvents or wall repainting to fully remove.

6. Prone to Shrinking, Bubbling & Peeling

When exposed to sunlight or fluctuating temperatures, vinyl can shrink, bubble, or peel away from the wall. This not only affects its appearance but may require costly re-application or repair.

7. Visible Texture & Surface Imperfections

Since vinyl sticks directly to the wall, any texture, bump, or crack beneath it will be visible. This can make the mural look uneven or unprofessional. Painted murals, on the other hand, create a smooth finish, as the paint becomes one with the surface.

8. Hard to Remove After Long-Term Use

The longer a vinyl mural stays on a wall, the harder it is to remove. Over time, the adhesive bonds more strongly to the wall, making it difficult to peel off without tearing the vinyl into small pieces. This process can be time-consuming and labour-intensive.

Painted Mural vs. Vinyl Mural: Which is Better?

If you need a mural that lasts, looks vibrant, and integrates seamlessly with your space, the answer is clear: painted murals are the better choice.

Choose a Painted Mural If:

You want a long-lasting solution.
You want to create a completely custom, one-of-a-kind design.
You need the mural to work around pipes, vents, or uneven wall surfaces.
You want to avoid peeling, bubbling, or fading over time.
The wall may be subject to moisture, humidity, or graffiti.

Choose a Vinyl Mural If:

You need a temporary solution for a short-term campaign or event.
You want something that can be removed quickly.
You’re looking for an initial low-cost option (but not necessarily the most cost-effective long-term).

Why Choose Blackbook Ink for Your Mural?

At Blackbook Ink, we believe in creating murals that stand the test of time. Our hand-painted murals are crafted with weather-resistant paints, high-impact designs, and anti-graffiti coatings that make them durable and easy to maintain. Whether it’s a school, community centre, or commercial space, we design every mural with the environment, audience, and message in mind.

Unlike vinyl murals, our painted murals offer:
Longevity: Our murals last for years — indoors and outdoors.
Bespoke Design: Every mural is tailored to your vision.
Seamless Integration: Our murals work with your space, not against it.
Eco-Friendly Options: We use low-VOC, environmentally friendly paints.
Durability: Our murals resist damage from UV rays, weather, and graffiti.

Ready to Transform Your Wall?

If you’re looking to create an artwork that tells a story, reflects your values, and stands the test of time, a hand-painted mural is the way to go. Our team at Blackbook Ink is ready to bring your vision to life with customized, site-specific designs.

Get in touch with us today!

Don’t settle for something temporary. Choose something timeless. Choose a painted mural by Blackbook Ink.

blackbookink In Artist Interviews, Mural Artist

Artist Interview – Matty Bro

Artist Interview – Matty Bro

Firstly who are you and where & how did you grow up?

I grew up in Hastings New Zealand. It was a rough neighbourhood with a lot of gang activity but all in all my childhood was good there. Got up to mischief as all kids do, moved to Aussie when I was 13. Which was probably a good thing as all my mates I grew up with moved away from the gang life or got locked up or worse.

How do you think this affected you on your journey towards being a mural artist?

I’d say it affected me a little bit, but when I lived in Hastings it was all about tagging nothing else. I just liked all the video games and cartoons in my era, at that time, and that inspired to start collecting cards and comics and from there I would try draw those characters. Then when I discovered New York graffiti around 14-15 my whole world changed.

When/How did you know you wanted to be mural artist?

I didn’t even know if I wanted to be an artist until I was in my 30’s, it was just something I enjoyed doing when I was young, wasn’t to pursue being an artist in anyway didn’t go art school I hated art as a subject at school was boring as. I didn’t pursue becoming a mural artist or even selling any work. Just enjoyed graffiti and art so continued to do it. Got better over the years picked up and airbrush gun in my 20’s and started airbrushing tees and caps plus other things for money. Then I started to pursue what an artist even was.

Combined airbrush and spray paint mural by Matty Bro

How did you learn to do what you do?

I learnt like anything else, trial and error. I was never afraid to try things and make mistakes. a lot of artists hold back there true potential cos they scared they might make something look “wack” and I get it no artist wants that, but at the same time becoming an artist is constantly searching what you want to do by trying things out and learning from them.

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

There’s a lot of challenges as a mural artist as every job has its own challenges no one mural is the same as another. How much to charge, different surfaces, weather elements, difficult clients, small budgets, big budgets, what equipment to use etc.

How you work around them is again trial and error. Try something and find out find what works best for you in each scenario. Continuously look to being an efficiency master. Time is money after all. When working for a client you want to achieve the result as best and efficient as possible.

Juggernaut character painted by Matty Bro in Sydney

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

So many challenges. But I’d say the biggest challenge was a 5m high x 15m long 360 deg circular wall with a skinny walkway that could only fit a small ladder in there. It was on a second story in a foyer of a mansion so at its highest point if you were at the peak height of the ladder behind you was a 7-8m fall to the ground floor (no harness lol). With a huge chandelier in the middle of it no way of getting a scissor lift in there. The mural covered every square inch of the space and took me a solid month. The whole thing was done on a little ladder. The biggest lesson I learnt from that, is still probably my most valuable lesson learnt now is “patience is a skill that can be built over time “. Like any other skill.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

There’s been a few memorable moments. One in particular would be getting flown to LA for a very wealthy businessman. Meeting a lot of celebs going to a Lakers game with courtside seats, staying in Calabasas. Getting a pretty good insight of how the successful people in LA live. Another memory was dropping a tag in some prestigious places in Europe, colosseum and Milan cathedral just to name a couple lol. Meeting celebs through your art is always cool too.

What are some of the inspirations for you and your art?

I’m very easily inspired. I’m inspired by everything, from people to places to culture to movies to video games to history, all of the above.

Large Scale mural in Mansion painted by Matty Bro

Large Scale airbrushed mural in Mansion painted by Matty Bro

Large Grey Scale mural painted by Matty Bro

Can you share any specific artistic techniques or tools that are integral to your mural-making process?

My technique which I’ve developed over time unintentionally. Is merging aerosol cans and airbrush gun together. I picked up both tools roughly around the same time (cans was a few years prior). So, I was experimenting with both and then when doing big projects, I used cans for the big areas and airbrush for the small detail, but I’ve honed it in where it’s very hard to tell what’s airbrush and what’s aerosol.

Can you discuss any specific challenges or advantages you encounter when working with spray paint and airbrush in large-scale mural projects?

Challenges are the same as any artist.

But the advantages are I have a much bigger range of what I can and do because I use both tools. I can do 40m length walls all the way to a bike tank or a pair of shoes and everything in between. To which I love it all. I really enjoy massive scale and also small canvases size jobs.

Mural painted of Tupac in Hosier Lane Melbourne by Matty Bro

What advice would you give to aspiring mural artists who are looking to establish themselves in the field?

I give this advice often. That’s have a go, we all start at rookie level. No one picks up a brush or can or airbrush and nails portraits right away. It takes time to understand your craft and knowing what you can and can’t do. Always look to increase your skill and eventually you will. Be authentic to yourself. Too many copycats out there copying the next artist on IG or TikTok because it got views. That to me is stupid. Be unapologetically yourself not an imitation of someone else.

Portrait of Mike Tyson painted by Matty Bro

Airbrushing on the side of a car painted by Matty Bro

Elvis mural painted on the Gold Coast by Matty Bro

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Matty Bro’s work at:

@Mattybro

Website

Dont forget to check out the blog for other interviews with artists such as:

- Styna

- Alex Lehours

- - Dvate
  - Reubzz

blackbookink In Artist Interviews, Mural Artist

Artist Interview- Alex Lehours

Artist Interview – Alex LeHours

Firstly who are you and where & how did you grow up?

My name is Alex and I am an artist from Sydney. I specialize in painting and illustration (both hand-drawn and digital)

I was born just outside of London but have lived in Australia since I was 4. I had a very nice upbringing here in Australia. We first lived in Wauchope, then Lennox Heads and finally made our way down to Sydney, where I have spent most of my life.

Both my parents supported my interest in the creative field. I loved drawing as a kid and I was always encouraged to pursue my passions.

How do you think this affected you on your journey towards being an artist?

This definitely had a tremendous impact on my journey to becoming an artist. My family never stood in my way or gave me the lecture about pursuing only things that could one day get me a “real job”

Having the freedom to explore my interests in art helped my love for it grow. From there I knew I wanted to do something in the creative field as a career.

When or How did you know you wanted to be mural artist?

Although I have always loved art I didn’t ever think I would be painting murals for a living. I started out as a graphic designer. I have always loved mural art and followed a lot of artists around the world but when I was starting out as a designer I didn’t actually think I would become one myself.

My first mural job came about through one of my wife’s cousins. They worked in an office in the Sydney CBD and needed some artwork done on the walls. I had never painted a mural before so I got two friends of mine on board to help me. It took forever to complete but I learnt a lot. From there the mural work just seemed to snowball.

Mural painted by Sydney Mural artist Alex Lehours

How did you learn to do what you do?

I had some basic painting skills from growing up and what I learnt at school and uni but I have learnt most of what I do on the job. There have been plenty of mistakes and definitely a lot of things I could do better when I look back now. I have taken on board advice from friends and other artists in the industry as well.

In saying that I am still learning. I don’t think you ever stop. There are always different technique’s and tricks you can learn to help achieve a better result.

Im constantly trying to push myself on each job so that it becomes the best thing I have ever created. I think its important to keep pushing yourself and wanting to learn. It helps in becoming the best artist you can be.

What is your dream project?

I don’t know if I have a dream project. I would love to travel more and get the chance to share my work all over the world.

I just grateful that people have an interest in my work and like to see what I create next.

I guess the ultimate dream is to be able to keep doing what I am doing until I can’t physically do it anymore

Mural painted in Sydney by illustrator and muralist Alex Lehours

Full image of mural painted by Alex Lehours

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

There are challenges on every job. Whether it be the texture of the wall, access to difficult sections of the wall, logistical challenges with equipment etc

You just have to deal with it really. There is always a solution. I am never afraid to reach out for help so that happens a lot. Its always best to be upfront with what may be holding you back. From there it seems there is always a solution, whatever it may be.

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

For me, the most challenging project I have ever taken on was a public mural that I painted back in 2021 here in Sydney. The wall as commissioned by The Inner West Council and it measured just over 300sqm. It was the largest mural I had ever painted in terms of square metres.

It took me just over 3 months to complete (I had included so much content and detail in it) and in that time we had quite extreme weather. The wall is completely exposed to the natural elements. One day it was pouring with torrential rain, the next day it was close to 40 degrees and I would struggle with heat stroke.

This project almost broke me. I did have some help from some friends but I painted the majority of it myself. There were definitely days that it all felt so overwhelming and I just wanted to run away. I had seriously underestimated the mammoth task of painting this piece. I just had to get on with it and push through. I also had to keep reminding myself of how lucky I am to be able to create pieces of this size for a living.

With all the challenges and tough days It was one of the most rewarding experiences of my career and it is one of my most favourite pieces I have created to date. I definitely learnt a lot from that experience and I now use that wall as a comparison to any future work I take on.

The reaction form the local community was fantastic and the fact that the public like it so much makes the struggles and challenges well worth it.

I am very hard on myself with my work (as a lot of people are with their own) but I can honestly say I am proud of that mural.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

When painting a public wall there are always interactions with the viewers or on-lookers. I have been lucky in that all my interactions (while on site) have been positive.

There aren’t any real memorable or notable experiences but it is always very humbling when people resonate with your work. It is also nice when people see just how much effort and time goes into painting a mural and can appreciate it for what it is.

Large scale mural painted by Alex Lehours

Mural in Sydney painted by muralist Alex Lehours

What/Who are some of the inspirations for you and your art?

As cliché as it sounds I take inspiration from everything. Anything that I like or catches my eye inspires me with my work. The older I get the more my taste and interest for certain things changes but I think that is a good thing. It helps my work to evolve.

There are so many incredible artists I follow both here in Australia and across the world. I think I take inspiration from all of them.

Did this help guide you to where you are today?

My interests and inspirations have definitely guided me to where I am today. You learn so much from the things and people that you take interest in. From there you use those experiences and findings to help develop yourself as an artist, even if you aren’t aware of it.

Mural painted in pool room by Alex Lehours

What are your personal goals now and in the future as a professional mural artist?

I want to keep working as a mural artist for as long as I can. As mentioned I would love to travel more and get the opportunity to create more of my work around the world.

As long as I can keep doing what I am doing and help to support my family I am happy.

Tell us a little about how you like to work. (Alone, with others, in phases, details, etc…)

Most of the work I do is alone but I love working and collaborating with others. My studio and office is set up at my home which is great but it can become lonely sometimes.

I really enjoy being on site and interacting with other people.

What direction do you feel your art is going?

I really want to keep exploring what I am doing now. It may change over time, as most things do, but for now I want to create pieces that reflect myself and my interests. I want to share my story through my art for as long as I can.

Work In progress mural at St Peters by Alex Lehours

Large Scale Mural painted in St Peters for the Perfect Match program

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Alex Lehours work at:

@alexlehours

Website

Dont forget to check out the blog for other interviews with artists such as:

- Styna

- Phibs

- Dvate
- Reubszz

blackbookink In Artist Interviews, Mural Artist

Artist Interview – Styna

Artist Interview – Styna

Firstly who are you and where & how did you grow up?

I am Christina, and I paint under the artist’s name STYNA (sometimes ‘stynabyna’)

I grew up in the Greater Fairfield area and am based in Parramatta today – I had a pretty good childhood; I’ve always been super family-orientated and a big daydreamer.

How do you think this affected you on your journey towards being an artist?

I’d always enjoyed creating things with my hands and drawing as a kid, through my adolescence and into adulthood.

When/How did you know you wanted to be a mural artist?

My first memory of when I realised I wanted to be a muralist was during my last year of study at Western Sydney University in 2011. There was a unit where we had to paint large wooden panels – it was so much fun. I also remember being inspired by the streetscapes of the Inner West at the time with some excellent pieces by Teazer, Phibs, Beastman and Swaze.

street art mural community impact - Artist: Styna

How did you learn to do what you do?

I work on lots of collaborations with other like-minded artists, live paint, and paint at jams with supportive collectives like Stayfly Sydney. Anyone’s practice naturally develops the more time and effort put in, the more hours of trial and error, and the more hours of painting consistent subject matter, but taking the time to develop what feels natural to your artmaking processes.

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

Most of the challenges I’ve experienced are maintaining a work-life balance. I still struggle to maintain what feels like a healthy balance, it’s somewhere between trying not to over-commit but also not being complacent in applying yourself to opportunities.

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

My first ever public art project would have been the most challenging project to date simply because I had yet to develop the knowledge or skill to undertake such a big, logistically tricky wall. In the end, through the guidance of a dear family friend and the support of the commissioner, the work was realised. There are some details of the mural I could not get right because I lacked the technical skill, but, in the end, I had to let go of it.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

They’re all quite unique in their own way.

What/Who are some of the inspirations for you and your art?

Alan Watts, Carl Jung, Maya Angelou and Brene Brown

Hayao Miyazaki, Shaun Tan, Alegria del Prado and Cinta Vidal

Styna mural at Burwood titled the meeting place

Can you describe a project that had a significant impact on you personally or professionally, and explain why it was so meaningful?

I once worked on a commercial project painting a mural on the rooftop of a shopping complex in the amenities block. There was a 24-hour work schedule with an intense deadline and pressure for the shops to open. I can’t remember why I was painting at 4 a.m., but I do remember construction workers coming in to use the loo – unaware I was painting next to them or that the toilets weren’t functioning yet.

It may not have been pleasantly meaningful, but that project did remind me of how happy I was just to paint a mural (prior to the loo biz), how ridiculously hard I worked in those earlier days (things you wouldn’t ordinarily agree to now) and how far I’ve come (while feeling excited for how far I have yet to go).

How do you select the themes and subjects for your murals? Are there specific messages or emotions you aim to convey through your art?

If I can visit a place, I’ll always go and take the time to sit in the space and notice all the sensory goodness/ energy coming to me from that place (if there is any). It’s very much a sensing approach as I don’t like to overthink the themes or ideas and focus on what comes first to mind that feels good. Sometimes, I layer these ideas with my own experiences or childhood memories or the fascinating stories you might learn about the heritage of a place.

What advice would you give to aspiring mural artists who are looking to establish themselves in the field?

Give it your best! ‘When you put love and enthusiasm into your work, even if people don’t see it, they realise that it is there, that you did this with all your body and soul.” – Paulo Coelho

Year of the tiger mural painted by Christina Styna

Walk the walls Cronulla mural painted by Styna

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Styna work at:

@stynabyna

Website

Dont forget to check out the blog for other interviews with artists such as:

- Krimsone

- Taske

- Dvate
- Destroy

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Artist Interview Phibs

Artist Interview – Phibs

Firstly who are you and where & how did you grow up?

Im Tim “PHIBS”.

I was born in Sydney but grew up in a small south coast town called Narooma, till the age of 13. I moved to the lower north shore of Sydney where I was drawn to the graffiti subculture.

How do you think this affected you on your journey towards being an artist?

From a young age, I was always interested and practicing in artwork. The inner city had more culture than a small town.

When/How did you know you wanted to be a graffiti/mural artist?

Upon living in the inner city and commuting around the rail network, I knew I wanted to do it.

How did you learn to do what you do?

I initially started messing around with spray paint myself and would participate in bombing around my area, but while in highschool, I met Dmote and Prins, who took me under their wings and became my mentors.

Your favourite or most inspirational place/spot you have painted?

I don’t think I have a favourite place but it was inspirational to travel to New York and paint at the Mecca of where this subculture started, and met people who I looked up to. India was also a pretty interesting place to paint in.

What/Who are some of the inspirations for you and your art?

Through the years it’s been important for me, to develop my own unique style. Other people who think outside the box and don’t just paint generic work, are definitely people I admire. The list is too vast to name.

Did this help guide you to where you are today?

I moved to melb in 2000 and that catapulted my career. Melbourne has always been known as an artistic and cultural community.

What are your personal goals now and in the future as a professional artist?

As long as I am able to do what I love doing and make ends meet, I am content. Although, in recent years I’ve been wanting to move into different areas such as 3D or sculptural works.

Tell us a little about how you like to work. (Alone, with others, in phases, details, etc…)

When painting outdoors I enjoy collaborating and working together with others as it’s a social activity to me. But when creating studio works, I tend to work alone.

What direction do you feel your art is going?

My art career is a journey and I’m not completely sure what direction it’s going. But as long as you’re challenging yourself and trying new things out and constantly moving , new directions are inevitable.

If you could share a message with the next generation of artists, what would it be?

Coming from Sydney, focus on the positive aspects of this subculture, as there are a lot of negativity wrapped up in the graffiti world. Unfortunately, people participating do it more for the reputation than the art.

There any up and coming artists that we should keep an eye out for?

There are a lot of new generation artist creating amazing work. Once again too many to name.

Any shouts out you you would like to give?

This shout out is to the people keeping this movement alive in a positive direction. There is too much hate and politics in the world around us. We don’t need any more of that in our scene. Each one, teach one.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Phibs work at:

@phibs_has_instagram

Website

Dont forget to check out the blog for other interviews with artists such as:

- Krimsone

- Taske

- Dvate
- Destroy

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Artist Interview – Reubszz

Artist Interview – Reubszz

Sydney Mural Artist Reubszz

Firstly who are you and where & how did you grow up?

My name is Reuben I go by the artist name Reubszz. I grew up in New Zealand and moved to Australia in 2011.

I am one of five kids I grew up making stuff and entertaining myself and playing loads of sports.

How do you think this affected you on your journey towards being a mural artist?

I think just always being creative in lots of different ways has helped me on my journey. I was very serious about painting specifically since about the age of 15 making all different types of work and simply painting for myself this still remains today, to paint and produce will never fade for me.

Sydney based street artist Reubszz

When/How did you know you wanted to be a mural artist?

I kind of stumbled upon it a friend of mine knew I painted canvases with a brush, and asked me to paint as part of festival. I knew there were going to be a lot of graffiti artists there so I didn’t want to seem like a noob so I went out and started painting walls and fell in love with painting large scale stuff that was in 2017 and a year later I quit my job and just started doing this full time.

How did you learn to do what you do?

I went to Art School I have a BMA in Painting and Illustration. I taught myself how to use cans and paint walls.

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

There are always challenges in every piece. Is just a matter of pushing through, realising your mistakes and putting yourself in those positions constantly.

large scale mural painte by Reubszz

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

I can’t really think of anything overly challenging, of course there’s always the usual bad weather, high temperatures etc.. but I dunno if I view it as challenging it’s fun I don’t consider it work it’s just painting and im stoked to be doing it.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

Not one in particular there’s been lots I love interacting with people on the street, that’s one of the best things about painting in public the non pretentious natures of street art is that everyone gets an impression from it, it’s not like you have to step into a gallery and feel like you need to be able to talk about the work.

What/Who are some of the inspirations for you and your art?

Wow there’s a lot um Id say Vesod, Case Maclaim, Dave Sotogi, Mazola, Voyder, Jarus, Eskat, Charles and Janine, Mr G theres so many amazing artists oh and some aussies I love Fintan, Bronte, Claire Foxton, Adnate, Scott and Janne there’s way too many to list I love them all!

Reubszz wall art

Can you describe a project that had a significant impact on you personally or professionally, and explain why it was so meaningful?

There’e been some awesome ones Id say more recently work with Sydney Childrens Hospital Foundation several times getting to be able to meet and photograph the subjects of my mural and hear a bit of their story surviving cancer and doing amazing inspiring things with their lives to help others that are in the same position they once were. These types of projects are very close to my heart and I get the utmost satisfaction out of them.

How do you select the themes and subjects for your murals? Are there specific messages or emotions you aim to convey through your art?

It depends what the project is I love to try an include a metaphor when thinking about developing/putting together a piece and hope that is conveyed through the piece however my intention or idea is irrelevant it’s up to the viewer to draw their own conclusion or idea on what the work means.. im only there to nudge it along a bit.

What advice would you give to aspiring mural artists who are looking to establish themselves in the field?

Paint! Find walls, get your work out there and paint and then paint some more.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Reubszz work at:

@reubszz

Website

Reubszz mural painted on side of building

Dont forget to check out the blog for other interviews with artists such as:

- Gipse aka Deo

- Alex Sugar

- Dvate
- Destroy

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Artist Interview – Alex Sugar

Melbourne mural painted by Alex Sugar of a lady holding a snake

Artist Interview – Alex Sugar

Alex Sugar a Melbourne mural artist. With an image of a fox and possum mural

Firstly who are you and where are you from?

My names Alex Sugar and I’m originally from Perth, Western Australia, the most isolated city in the world (fun fact number 1) – I grew up basically surfing every day with mates before and after school as we only lived about 10 minutes from the beach, I wasn’t much of a good student at school so every so often my mum would let me skip school and take me surfing, cheers mum haha.

How do you think this affected you on your journey towards being an artist?

My family is pretty creative so they always pushed me with my drawing and painting but High school was when I became aware of urban art through a handful of kids in my year that were really getting into it, they would show me some of their pieces and charo’s etc which I really loved, that sparked my interest in painting with spray paint for sure but I didn’t get into it till I was about 18/19.

Melbourne wall artist Alex sugar with a mural of a snake

When/How did you know you wanted to be a mural artist?

I’ve wanted to be an mural artist since about 20 maybe 21 years old, before then I wanted to be a professional surfer lol… I had a solo show of my studio work so i was really into painting canvases and drawing more so than walls at the time, I was painting at night and on weekends with my friends who got me into using spray paint which was amazing, I’m forever grateful to them for that, which then led me onto taking mural work a lot more serious, especially when we made the move to Melbourne.

How did you learn to do what you do?

After high school i met a group of friends through my cousin who were painting, they knew I did a bit of drawing so they got me into, we would paint some freeway spots and back of warehouses etc at night and down at the famous power house building in Fremantle which was helpful in learning can control and being able to paint quickly – then the lads i paint with here in Melbourne have taught me a lot about productions, lettering, being smarter about painting and overall style.

Melbourne mural painted by Alex Sugar of a lady holding a snake

What/Who are some of the inspirations for you and your art?

Early on I was most definitely inspired by the wave of album art cover painters and fantasy artists from the 70’s. People like Rodney Matthews, Patrick Woodrolfe, MC Escher, Roger Dean, Frazetta, Rick Griffin etc.

In the graffiti world, it was writers like Hams, Bribe, Nice, Merda, Duel, Puzle, Unique, Prins, Dmote etc

Though more locally, my childhood friend Porns was also a huge influence on me and is probably one of the best artists I’ve come across.

Did this help guide you to where you are today?

At first, I would try and paint like these guys, but they were obviously masters of their craft and attempts at emulating their work would always look second rate and sloppy.

I remember after spending time with Porns and looking at his artwork. I’d come home with the images of his work in my head and find it frustrating that mine didn’t compare. It took years to realise that everyone has their own story and things that interest them.

So, it’s self-defeating to try and do work that has already been done as anything other than an exercise.

Once I stopped trying to be like anyone else, it all became a lot easier to find my feet.

You have been a successful mural artist for a number of years now. So what led you to start painting murals commercially?

When I first left High school, after doing various courses in painting, I got a job doing a traineeship in Architectural rendering.

That lasted for about a year or so, and I spent my spare time painting canvases. A lot of my friends were artists also, and we taught each other painting techniques with various mediums.

I did my first couple of paid murals in 1995, when I lived at the gold coast. But it wasn’t until the year 2000 that I was offered a mural job in what was called the “snoozling room” of a respite centre, by a friend who worked in community care. The Councillor for that division of my local Council saw it and asked if I could do a job for her, and I’ve been painting murals fulltime ever since.

Alex Sugar mural painted in Melbourne

What direction do you feel your art is going?

That’s a hard question to answer. Probably a loose form of realism based around the native fauna and flora I see in my world.

Sometimes interspersed with cubist elements, and sometimes I like to take a more cartoonish approach?

Use of colour is a big component for me, colour and light.

Tell us a little about how you like to work?

It depends on what it is I’m working on. If it’s a private mural, with a definite brief attached I like to research the subject matter extensively before doing designs, but if I’m painting for myself then it’s a looser process of following the inspiration where it leads.

Typically, I paint by myself, with the radio on to distract that part of my brain that desires company while I watch my hands work.

I don’t mind painting with company, but it doesn’t always lead to a better result and sometimes makes it awkward if things aren’t going to plan and need to be changed/or fixed afterwards.

Mural art of a snake painted by Melbourne mural artist Alex Sugar

What music is on your playlist at the moment while you work?

I don’t have a current playlist. I used to like listening to Blues and Soul, but in more recent times I find I’m tilting towards Jazz and Classical music. Mostly though, I don’t even notice what is on and tend to let some ABC radio station drone on with whatever in the background.

If you could share a message with the next generation of graffiti artists, what would it be?

The only real advice I would suggest to someone looking at getting into painting Graffiti or Murals would be to study what it is about the work that you like. Then take those elements and use them in a new way that inspires you to go further. So that your work is uniquely yours.