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In Graffiti & Street Art

Graffiti vs Street Art

Graffiti vs Street Art: Understanding the Key Differences

 

 

Urban landscapes are vibrant canvases for diverse artistic expressions, with graffiti and street art as two prominent forms of visual communication. While they share some similarities, graffiti and street art differ significantly in their origins, techniques, and cultural significance.

This article explores their unique characteristics, from illegal tags to commissioned murals, and dives into the debates about legality, ethics, and their role in shaping urban culture.

Origins: Graffiti vs. Street Art

Graffiti’s Roots: From Ancient Marks to Modern Tags

The practice of leaving marks on public surfaces dates back to ancient Greece and Rome, where people carved messages on walls to express political opinions. Modern graffiti emerged in the 1960s in New York City as part of hip-hop culture.

Young artists, known as “writers” or “taggers,” used spray paint to create stylized signatures or tags on subway cars and walls. The goal was visibility—having their work seen in as many places as possible.

As graffiti evolved, so did its techniques. Artists experimented with new styles and larger, more colorful designs, transforming simple tags into elaborate masterpieces (pieces).

Street Art: A Broader Canvas

Street art evolved from graffiti but expanded its focus beyond text-based art. Emerging in the 1970s and 1980s, street artists like Keith Haring and Jean-Michel Basquiat introduced imagery, social commentary, and diverse techniques like stencils and wheat pasting.

Unlike graffiti, which often uses coded language, street art aims to connect with a broader audience, addressing social and political issues in visually engaging ways.

Graffiti art on train carriage with city buildings in background.

Techniques and Styles

Graffiti: A Focus on Lettering

  • Tags: Simple, quick, and often in one color, tags are an artist’s signature.
  • Throw-ups: Larger, two-color tags with bubble-style lettering.
  • Pieces: Elaborate works showcasing advanced techniques, vibrant colors, and detailed designs.

Street Art: A Wider Palette

  • Murals: Large-scale, representational art often addressing themes or stories.
  • Stencils: Pre-cut templates for detailed, reproducible designs.
  • Installations: 3D art that interacts with the urban environment.

Other street art methods include wheat pasting and mosaics, offering artists flexible ways to adapt their work to public spaces.

Colorful graffiti and street art mural with dancing figures on building wall.

Legal and Ethical Considerations

Graffiti: Art or Vandalism?

Graffiti is often seen as vandalism due to its unauthorized nature. Many cities, including those in Australia, have strict laws against graffiti, with penalties that include hefty fines and imprisonment.

Street Art: The Path to Legitimacy

In contrast, street art has gained mainstream acceptance. Commissioned murals and public art projects enhance urban spaces, attract tourism, and foster community pride. This distinction between legal and unauthorized works is a key difference between graffiti and street art.

Colorful graffiti artwork on a concrete wall near a fenced area.

The Debate: Graffiti vs. Street Art

While graffiti focuses on self-expression and identity, street art often prioritizes imagery and public engagement. Both forms challenge perceptions, transform cityscapes, and spark conversations about the use of public spaces.

At their core, graffiti and street art are vital expressions of urban culture. Whether it’s a rebellious tag or a commissioned mural, both forms contribute to the evolving dialog about art, property rights, and community spaces.

Colourful graffiti mural of a woman with red hair and floral elements in an urban setting.

Conclusion

The line between graffiti and street art can be blurry, but their impact on urban culture is undeniable. Street art’s growing acceptance contrasts with graffiti’s controversial status, yet both play essential roles in shaping the identity of modern cities.

At Blackbook Ink, we celebrate both forms of expression, offering unique graffiti and street art-inspired murals that bring dull spaces to life.

Contact us today to explore how we can transform your walls with vibrant, meaningful art!

FAQs

What’s the difference between graffiti and street art?
Graffiti is typically unauthorized, text-based art focused on self-expression, while street art often features imagery, broader themes, and is sometimes commissioned.

How does street art differ from tagging?
Tagging is a graffiti artist’s signature, while street art involves detailed, public-facing artworks that engage with viewers.

What is public art versus street art?
Public art is sanctioned and commissioned to enhance communities, whereas street art is often unsanctioned and may carry a rebellious tone.

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In Artist Interviews

Artist Interview – Matty Bro

Tattoo artist working on a large mural at Blackbook Ink studio.

Artist Interview – Matty Bro

Firstly who are you and where & how did you grow up?

I grew up in Hastings New Zealand. It was a rough neighbourhood with a lot of gang activity but all in all my childhood was good there. Got up to mischief as all kids do, moved to Aussie when I was 13. Which was probably a good thing as all my mates I grew up with moved away from the gang life or got locked up or worse.


How do you think this affected you on your journey towards being a mural artist?

I’d say it affected me a little bit, but when I lived in Hastings it was all about tagging nothing else. I just liked all the video games and cartoons in my era, at that time, and that inspired to start collecting cards and comics and from there I would try draw those characters. Then when I discovered New York graffiti around 14-15 my whole world changed.

When/How did you know you wanted to be mural artist?

I didn’t even know if I wanted to be an artist until I was in my 30’s, it was just something I enjoyed doing when I was young, wasn’t to pursue being an artist in anyway didn’t go art school I hated art as a subject at school was boring as. I didn’t pursue becoming a mural artist or even selling any work. Just enjoyed graffiti and art so continued to do it. Got better over the years picked up and airbrush gun in my 20’s and started airbrushing tees and caps plus other things for money. Then I started to pursue what an artist even was.

How did you learn to do what you do?

I learnt like anything else, trial and error. I was never afraid to try things and make mistakes. a lot of artists hold back there true potential cos they scared they might make something look “wack” and I get it no artist wants  that, but at the same time becoming an artist is constantly searching what you want to do by trying things out and learning from them.

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

There’s a lot of challenges as a mural artist as every job has its own challenges no one mural is the same as another. How much to charge, different surfaces, weather elements, difficult clients, small budgets, big budgets, what equipment to use etc.

How you work around them is again trial and error. Try something and find out find what works best for you in each scenario. Continuously look to being an efficiency master. Time is money after all. When working for a client you want to achieve the result as best and efficient as possible.

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

So many challenges. But I’d say the biggest challenge was a 5m high x 15m long 360 deg circular wall with a skinny walkway that could only fit a small ladder in there. It was on a second story in a foyer of a mansion so at its highest point if you were at the peak height of the ladder behind you was a 7-8m fall to the ground floor (no harness lol). With a huge chandelier in the middle of it no way of getting a scissor lift in there. The mural covered every square inch of the space and took me a solid month. The whole thing was done on a little ladder. The biggest lesson I learnt from that, is still probably my most valuable lesson learnt now is “patience is a skill that can be built over time “. Like any other skill.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

There’s been a few memorable moments. One in particular would be getting flown to LA for a very wealthy businessman. Meeting a lot of celebs going to a Lakers game with courtside seats, staying in Calabasas. Getting a pretty good insight of how the successful people in LA live. Another memory was dropping a tag in some prestigious places in Europe, colosseum and Milan cathedral just to name a couple lol. Meeting celebs through your art is always cool too.

What are some of the inspirations for you and your art?

I’m very easily inspired. I’m inspired by everything, from people to places to culture to movies to video games to history, all of the above.

Can you share any specific artistic techniques or tools that are integral to your mural-making process?

My technique which I’ve developed over time unintentionally. Is merging aerosol cans and airbrush gun together. I picked up both tools roughly around the same time (cans was a few years prior). So, I was experimenting with both and then when doing big projects, I used cans for the big areas and airbrush for the small detail, but I’ve honed it in where it’s very hard to tell what’s airbrush and what’s aerosol.

Can you discuss any specific challenges or advantages you encounter when working with spray paint and airbrush in large-scale mural projects?

Challenges are the same as any artist.

But the advantages are I have a much bigger range of what I can and do because I use both tools. I can do 40m length walls all the way to a bike tank or a pair of shoes and everything in between. To which I love it all. I really enjoy massive scale and also small canvases size jobs.

What advice would you give to aspiring mural artists who are looking to establish themselves in the field?

I give this advice often. That’s have a go, we all start at rookie level. No one picks up a brush or can or airbrush and nails portraits right away. It takes time to understand your craft and knowing what you can and can’t do. Always look to increase your skill and eventually you will. Be authentic to yourself. Too many copycats out there copying the next artist on IG or TikTok because it got views. That to me is stupid. Be unapologetically yourself not an imitation of someone else.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Matty Bro’s work at:

@Mattybro

Website

Dont forget to check out the blog for other interviews with artists such as:

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In Mural Guides & How-To

The Importance of UV Coatings for Murals

Artist applying UV coating to protect mural artwork.

Murals have become a popular form of artistic expression, adding vibrancy and character to cities around the world. However, protecting these murals from the damaging effects of UV rays and graffiti vandalism is crucial to ensure their longevity and beauty. In this article, we will explore the importance of UV and graffiti coatings for murals, and how they can preserve these works of art for years to come.

 

The Impact of UV Rays on Murals

 

UV rays from the sun can cause significant damage to murals over time. The constant exposure to sunlight can fade the vibrant colours, causing them to lose their original brilliance. Additionally, UV rays can break down the binders in the paint, leading to cracking and peeling. To protect murals from these harmful effects, the application of UV coatings is essential.

 

UV Coatings for Murals

 

UV coatings act as a barrier between the mural and the sun’s harmful rays. These coatings contain special additives that absorb the UV light, preventing it from reaching the paint and causing damage. The UV coatings can be applied as a clear layer over the mural, preserving the colours and preventing fading. They are available in both gloss and matte finishes, allowing artists to choose the desired aesthetic for their murals.

 

Benefits of UV Coatings

 

The application of UV coatings offers several benefits for murals:

 

    1. Colour Preservation: UV coatings protect the colours of the mural from fading, allowing them to retain their vibrancy and visual impact over time.
    2. Longevity: By shielding the paint from UV rays, these coatings extend the lifespan of the mural, ensuring that it remains intact for years to come.
    3. Protection Against Cracking and Peeling: UV coatings help prevent the breakdown of binders in the paint, reducing the risk of cracking and peeling.
    4. Easy Maintenance: The application of UV coatings makes murals easier to clean and maintain, as the protective layer prevents dirt and pollutants from penetrating the paint.

 

The Threat of Graffiti Vandalism

 

While murals add beauty to urban environments, they are also vulnerable to graffiti vandalism. Unwanted graffiti not only defaces the artwork but also undermines the efforts of the artists and the community. Removing graffiti can be a costly and time-consuming process, making preventative measures essential.

 

Understanding Graffiti Coatings

 

Graffiti coatings, also known as anti-graffiti coatings, are specially formulated products designed to protect surfaces from graffiti vandalism. These coatings create a barrier that makes it difficult for graffiti to adhere to the surface, making removal easier and more effective. There are different types of graffiti coatings available, each with its own unique properties and benefits.

 

Sacrificial Anti-Graffiti Coatings

 

Sacrificial anti-graffiti coatings are often used in areas where graffiti vandalism is less frequent. These coatings are typically polymer or wax-based and require reapplication after graffiti removal. They provide a matte finish, making them invisible on the surface. Sacrificial coatings can be applied using a roller, brush, or spray equipment, and are best cleaned with a hot water pressure wash.

 

Permanent Anti-Graffiti Paints

 

Permanent anti-graffiti paints offer long-term protection against graffiti vandalism. These paints contain silicone and are available in both matte and gloss finishes. They can repel various types of graffiti media and provide graffiti protection for at least ten years. Depending on the manufacturer, these paints may last for ten to fifty cleaning operations before reapplication is necessary. They are suitable for concrete, painted surfaces, stone, and brick, making them versatile for different mural substrates.

 

Fluoropolymer-based Anti-Graffiti Coatings

 

Fluoropolymer-based anti-graffiti coatings offer the highest level of protection against graffiti vandalism. These coatings create a low surface energy shield over the substrate, making it difficult for graffiti to adhere. They provide long-lasting anti-graffiti effects, with the ability to withstand numerous cleanings throughout their lifespan. Fluoropolymer-based coatings are approved for government use and are commonly used in subways, trains, railway bridges, and other high-traffic areas.

 

The Importance of Graffiti Coatings for Murals

 

Applying graffiti coatings to murals offers several advantages:

 

    1. Protection against Vandalism: Graffiti coatings act as a deterrent, making it more difficult for vandals to deface murals. The smooth surface created by the coatings can discourage graffiti artists from targeting the artwork.
    2. Easy Removal: When graffiti does occur, the presence of graffiti coatings makes removal easier and more effective. The coatings prevent the graffiti from bonding tightly to the surface, allowing for faster and cleaner removal without leaving behind stains or shadows.
    3. Cost and Time Savings: By reducing the time and effort required for graffiti removal, coatings save both money and resources. Cities and communities can allocate their resources to other important projects instead of constantly dealing with graffiti clean up.
    4. Preserving the Original Artwork: Graffiti coatings help preserve the integrity of the original mural by preventing unwanted graffiti from permanently altering or obscuring the artist’s vision.

 

Choosing the Right Coating for Murals

 

When selecting UV and graffiti coatings for murals, it is important to consider factors such as the substrate, desired aesthetic, and level of graffiti vandalism in the area. Consulting with experts and manufacturers can help determine the most suitable coating for a specific mural project.

 

 

For sacrificial anti-graffiti coatings, Haymes Single Pack Anti-Graffiti is a recommended option. It provides temporary protection and can be easily reapplied after graffiti removal.

 

For long-term protection, Resene Graffitishield and Elco International Adcoat Tuff Coat are two-pack coatings that offer durability and resistance against graffiti vandalism.

 

Conclusion

 

UV and graffiti coatings play a vital role in preserving the beauty and integrity of murals. UV coatings protect against the damaging effects of sunlight, while graffiti coatings deter vandalism and simplify the removal process. By investing in these coatings, cities and communities can ensure that their murals remain vibrant, attractive, and free from unwanted defacement. Choosing the right coatings and implementing preventive measures will contribute to the long-term sustainability of these artistic expressions for everyone to enjoy.

 

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In Artist Interviews

Artist Interview- Alex Lehours

Artist creating detailed graffiti mural with urban and pop culture elements.

Artist Interview – Alex LeHours

Firstly who are you and where & how did you grow up?

My name is Alex and I am an artist from Sydney. I specialize in painting and illustration (both hand-drawn and digital)

I was born just outside of London but have lived in Australia since I was 4. I had a very nice upbringing here in Australia. We first lived in Wauchope, then Lennox Heads and finally made our way down to Sydney, where I have spent most of my life.

Both my parents supported my interest in the creative field. I loved drawing as a kid and I was always encouraged to pursue my passions.


How do you think this affected you on your journey towards being an artist?

This definitely had a tremendous impact on my journey to becoming an artist. My family never stood in my way or gave me the lecture about pursuing only things that could one day get me a “real job”

Having the freedom to explore my interests in art helped my love for it grow. From there I knew I wanted to do something in the creative field as a career.

When or How did you know you wanted to be mural artist?

Although I have always loved art I didn’t ever think I would be painting murals for a living. I started out as a graphic designer. I have always loved mural art and followed a lot of artists around the world but when I was starting out as a designer I didn’t actually think I would become one myself.

My first mural job came about through one of my wife’s cousins. They worked in an office in the Sydney CBD and needed some artwork done on the walls. I had never painted a mural before so I got two friends of mine on board to help me. It took forever to complete but I learnt a lot. From there the mural work just seemed to snowball.

How did you learn to do what you do?

I had some basic painting skills from growing up and what I learnt at school and uni but I have learnt most of what I do on the job. There have been plenty of mistakes and definitely a lot of things I could do better when I look back now. I have taken on board advice from friends and other artists in the industry as well.

In saying that I am still learning. I don’t think you ever stop. There are always different technique’s and tricks you can learn to help achieve a better result.

Im constantly trying to push myself on each job so that it becomes the best thing I have ever created. I think its important to keep pushing yourself and wanting to learn. It helps in becoming the best artist you can be.

What is your dream project?

I don’t know if I have a dream project. I would love to travel more and get the chance to share my work all over the world.

I just grateful that people have an interest in my work and like to see what I create next.

I guess the ultimate dream is to be able to keep doing what I am doing until I can’t physically do it anymore

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

There are challenges on every job. Whether it be the texture of the wall, access to difficult sections of the wall, logistical challenges with equipment etc

You just have to deal with it really. There is always a solution. I am never afraid to reach out for help so that happens a lot. Its always best to be upfront with what may be holding you back. From there it seems there is always a solution, whatever it may be.

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

For me, the most challenging project I have ever taken on was a public mural that I painted back in 2021 here in Sydney. The wall as commissioned by The Inner West Council and it measured just over 300sqm. It was the largest mural I had ever painted in terms of square metres.

It took me just over 3 months to complete (I had included so much content and detail in it) and in that time we had quite extreme weather. The wall is completely exposed to the natural elements. One day it was pouring with torrential rain, the next day it was close to 40 degrees and I would struggle with heat stroke.

This project almost broke me. I did have some help from some friends but I painted the majority of it myself. There were definitely days that it all felt so overwhelming and I just wanted to run away. I had seriously underestimated the mammoth task of painting this piece. I just had to get on with it and push through. I also had to keep reminding myself of how lucky I am to be able to create pieces of this size for a living.

With all the challenges and tough days It was one of the most rewarding experiences of my career and it is one of my most favourite pieces I have created to date. I definitely learnt a lot from that experience and I now use that wall as a comparison to any future work I take on.

The reaction form the local community was fantastic and the fact that the public like it so much makes the struggles and challenges well worth it.

I am very hard on myself with my work (as a lot of people are with their own) but I can honestly say I am proud of that mural.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

When painting a public wall there are always interactions with the viewers or on-lookers. I have been lucky in that all my interactions (while on site) have been positive.

There aren’t any real memorable or notable experiences but it is always very humbling when people resonate with your work. It is also nice when people see just how much effort and time goes into painting a mural and can appreciate it for what it is.

What/Who are some of the inspirations for you and your art?

As cliché as it sounds I take inspiration from everything. Anything that I like or catches my eye inspires me with my work. The older I get the more my taste and interest for certain things changes but I think that is a good thing. It helps my work to evolve.

There are so many incredible artists I follow both here in Australia and across the world. I think I take inspiration from all of them.

Did this help guide you to where you are today?

My interests and inspirations have definitely guided me to where I am today. You learn so much from the things and people that you take interest in. From there you use those experiences and findings to help develop yourself as an artist, even if you aren’t aware of it.

What are your personal goals now and in the future as a professional mural artist?

I want to keep working as a mural artist for as long as I can. As mentioned I would love to travel more and get the opportunity to create more of my work around the world.

As long as I can keep doing what I am doing and help to support my family I am happy.

Tell us a little about how you like to work. (Alone, with others, in phases, details, etc…)

Most of the work I do is alone but I love working and collaborating with others. My studio and office is set up at my home which is great but it can become lonely sometimes.

I really enjoy being on site and interacting with other people.

What direction do you feel your art is going?

I really want to keep exploring what I am doing now. It may change over time, as most things do, but for now I want to create pieces that reflect myself and my interests. I want to share my story through my art for as long as I can.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Alex Lehours work at:

@alexlehours 

Website

Dont forget to check out the blog for other interviews with artists such as:

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In Artist Interviews

Artist Interview – Styna

Vibrant street art mural featuring a fish and abstract elements in Melbourne.

Artist Interview – Styna

Firstly who are you and where & how did you grow up?

I am Christina, and I paint under the artist’s name STYNA (sometimes ‘stynabyna’)

I grew up in the Greater Fairfield area and am based in Parramatta today – I had a pretty good childhood; I’ve always been super family-orientated and a big daydreamer.


How do you think this affected you on your journey towards being an artist?

I’d always enjoyed creating things with my hands and drawing as a kid, through my adolescence and into adulthood.

When/How did you know you wanted to be a mural artist?

My first memory of when I realised I wanted to be a muralist was during my last year of study at Western Sydney University in 2011. There was a unit where we had to paint large wooden panels – it was so much fun. I also remember being inspired by the streetscapes of the Inner West at the time with some excellent pieces by Teazer, Phibs, Beastman and Swaze.

Colorful mural of blue and yellow flowers at Blackbook Ink tattoo studio.

How did you learn to do what you do?

I work on lots of collaborations with other like-minded artists, live paint, and paint at jams with supportive collectives like Stayfly Sydney. Anyone’s practice naturally develops the more time and effort put in, the more hours of trial and error, and the more hours of painting consistent subject matter, but taking the time to develop what feels natural to your artmaking processes.

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

Most of the challenges I’ve experienced are maintaining a work-life balance. I still struggle to maintain what feels like a healthy balance, it’s somewhere between trying not to over-commit but also not being complacent in applying yourself to opportunities.

Vibrant mural featuring flowers, fish, and a vase by Blackbook Ink in Australia.
Colorful mural featuring a boy, bird, and flowers at Blackbook Ink studio.

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

My first ever public art project would have been the most challenging project to date simply because I had yet to develop the knowledge or skill to undertake such a big, logistically tricky wall. In the end, through the guidance of a dear family friend and the support of the commissioner, the work was realised. There are some details of the mural I could not get right because I lacked the technical skill, but, in the end, I had to let go of it.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

They’re all quite unique in their own way.

What/Who are some of the inspirations for you and your art?

Alan Watts, Carl Jung, Maya Angelou and Brene Brown

Hayao Miyazaki, Shaun Tan, Alegria del Prado and Cinta Vidal

Colourful mural featuring a vintage green bus and two birds in an urban setting.

Can you describe a project that had a significant impact on you personally or professionally, and explain why it was so meaningful?

I once worked on a commercial project painting a mural on the rooftop of a shopping complex in the amenities block. There was a 24-hour work schedule with an intense deadline and pressure for the shops to open. I can’t remember why I was painting at 4 a.m., but I do remember construction workers coming in to use the loo – unaware I was painting next to them or that the toilets weren’t functioning yet.

It may not have been pleasantly meaningful, but that project did remind me of how happy I was just to paint a mural (prior to the loo biz), how ridiculously hard I worked in those earlier days (things you wouldn’t ordinarily agree to now) and how far I’ve come (while feeling excited for how far I have yet to go).

How do you select the themes and subjects for your murals? Are there specific messages or emotions you aim to convey through your art?

If I can visit a place, I’ll always go and take the time to sit in the space and notice all the sensory goodness/ energy coming to me from that place (if there is any). It’s very much a sensing approach as I don’t like to overthink the themes or ideas and focus on what comes first to mind that feels good. Sometimes, I layer these ideas with my own experiences or childhood memories or the fascinating stories you might learn about the heritage of a place.

Vibrant floral mural artwork in a tunnel at Blackbook Ink.

What advice would you give to aspiring mural artists who are looking to establish themselves in the field?

Give it your best! ‘When you put love and enthusiasm into your work, even if people don’t see it, they realise that it is there, that you did this with all your body and soul.” – Paulo Coelho

Vibrant mural of a tiger and nature scene at Blackbook Ink.
Colorful mural with flowers, birds, and fish on a white building wall in Australia.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Styna work at:

@stynabyna 

Website

Dont forget to check out the blog for other interviews with artists such as:

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In Artist Interviews

Artist Interview Phibs

Vibrant tattoo artwork featuring a dragon and mystical elements.

Artist Interview – Phibs

Firstly who are you and where & how did you grow up?

Im Tim “PHIBS”.

I was born in Sydney but grew up in a small south coast town called Narooma, till the age of 13. I moved to the lower north shore of Sydney where  I was drawn to the graffiti subculture.


How do you think this affected you on your journey towards being an artist?

From a young age, I was always interested and practicing in artwork. The inner city had more culture than a small town.

When/How did you know you wanted to be a graffiti/mural artist?

Upon living in the inner city and commuting around the rail network, I knew I wanted to do it.

Colorful graffiti mural featuring abstract fish design at Blackbook Ink studio.

How did you learn to do what you do?

I initially started messing around with spray paint myself and would participate in bombing around my area, but while in highschool, I met Dmote and Prins, who took me under their wings and became my mentors.

Your favourite or most inspirational place/spot you have painted?

I don’t think I have a favourite place but it was inspirational to travel to New York and paint at the Mecca of where this subculture started, and met people who I looked up to. India was also a pretty interesting place to paint in.

Colorful graffiti mural with bold lettering at Blackbook Ink studio.
Colorful graffiti mural on a pink wall showcasing street art skills at Blackbook Ink.

What/Who are some of the inspirations for you and your art?

Through the years it’s been important for me, to develop my own unique style. Other people who think outside the box and don’t just paint generic work, are definitely people I admire. The list is too vast to name.

Did this help guide you to where you are today?

I moved to melb in 2000 and that catapulted my career. Melbourne has always been known as an artistic and cultural community.

What are your personal goals now and in the future as a professional artist?

As long as I am able to do what I love doing and make ends meet, I am content. Although, in recent years I’ve been wanting to move into different areas such as 3D or sculptural works.

Colorful street art mural by Blackbook Ink in Australia.

Tell us a little about how you like to work. (Alone, with others, in phases, details, etc…)

When painting outdoors I enjoy collaborating and working together with others as it’s a social activity to me. But when creating studio works, I tend to work alone.

What direction do you feel your art is going?

My art career is a journey and I’m not completely sure what direction it’s going. But as long as you’re challenging yourself and trying new things out and constantly moving , new directions are inevitable.

Vibrant graffiti artwork on urban wall by Blackbook Ink.

If you could share a message with the next generation of  artists, what would it be?

Coming from Sydney, focus on the positive aspects of this subculture, as there are a lot of negativity wrapped up in the graffiti world. Unfortunately, people participating do it more for the reputation than the art.

There any up and coming artists that we should keep an eye out for?

There are a lot of new generation artist creating amazing work. Once again too many to name.

Any shouts out you you would like to give?

This shout out is to the people keeping this movement alive in a positive direction. There is too much hate and politics in the world around us. We don’t need any more of that in our scene. Each one, teach one.
Colorful graffiti of a stylized feline on an urban wall in Blackbook Ink.
Vibrant tattoo art mural by Blackbook Ink in Australia.
Vibrant mural art featuring insects and birds at Blackbook Ink in Australia.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Phibs work at:

@phibs_has_instagram 

Website

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In Artist Interviews

Artist Interview – Reubszz

Colorful mural featuring a woman's face, a hummingbird, and floral elements at Blackbook Ink.

Artist Interview – Reubszz

Sydney Mural Artist Reubszz

Firstly who are you and where & how did you grow up?
My name is Reuben I go by the artist name Reubszz. I grew up in New Zealand and moved to Australia in 2011.

I am one of five kids I grew up making stuff and entertaining myself and playing loads of sports.

How do you think this affected you on your journey towards being a mural artist?

I think just always being creative in lots of different ways has helped me on my journey. I was very serious about painting specifically since about the age of 15 making all different types of work and simply painting for myself this still remains today, to paint and produce will never fade for me.

Sydney based street artist Reubszz

When/How did you know you wanted to be a mural artist?

I kind of stumbled upon it a friend of mine knew I painted canvases with a brush, and asked me to paint as part of festival. I knew there were going to be a lot of graffiti artists there so I didn’t want to seem like a noob so I went out and started painting walls and fell in love with painting large scale stuff that was in 2017 and a year later I quit my job and just started doing this full time.

How did you learn to do what you do?

I went to Art School I have a BMA in Painting and Illustration. I taught myself how to use cans and paint walls.

Are there any particular challenges or limitations you face as a mural artist, and how do you work around them?

There are always challenges in every piece. Is just a matter of pushing through, realising your mistakes and putting yourself in those positions constantly.

large scale mural painte by Reubszz

Can you tell us about a particularly challenging project you undertook and how you overcame any obstacles during the process?

I can’t really think of anything overly challenging, of course there’s always the usual bad weather, high temperatures etc.. but I dunno if I view it as challenging it’s fun I don’t consider it work it’s just painting and im stoked to be doing it.

Could you share any memorable interactions or experiences you’ve had with community members or observers during the creation of your murals?

Not one in particular there’s been lots I love interacting with people on the street, that’s one of the best things about painting in public the non pretentious natures of street art is that everyone gets an impression from it, it’s not like you have to step into a gallery and feel like you need to be able to talk about the work.

What/Who are some of the inspirations for you and your art?
Wow there’s a lot um Id say Vesod, Case Maclaim, Dave Sotogi, Mazola, Voyder, Jarus, Eskat, Charles and Janine, Mr G theres so many amazing artists oh and some aussies I love Fintan, Bronte, Claire Foxton, Adnate, Scott and Janne there’s way too many to list I love them all!

Large mural art by Blackbook Ink featuring detailed portraits on a city wall.

Can you describe a project that had a significant impact on you personally or professionally, and explain why it was so meaningful?

There’e been some awesome ones Id say more recently work with Sydney Childrens Hospital Foundation several times getting to be able to meet and photograph the subjects of my mural and hear a bit of their story surviving cancer and doing amazing inspiring things with their lives to help others that are in the same position they once were. These types of projects are very close to my heart and I get the utmost satisfaction out of them.

How do you select the themes and subjects for your murals? Are there specific messages or emotions you aim to convey through your art?

It depends what the project is I love to try an include a metaphor when thinking about developing/putting together a piece and hope that is conveyed through the piece however my intention or idea is irrelevant it’s up to the viewer to draw their own conclusion or idea on what the work means.. im only there to nudge it along a bit.
 
What advice would you give to aspiring mural artists who are looking to establish themselves in the field?
Paint! Find walls, get your work out there and paint and then paint some more.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Reubszz work at:

@reubszz

Website

Vivid mural art by Blackbook Ink featuring a woman with flowing hair and vibrant background.

Dont forget to check out the blog for other interviews with artists such as:

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In Artist Interviews

Artist Interview – Alex Sugar

Street art mural of a woman with a snake on her arm at Blackbook Ink.

Artist Interview – Alex Sugar

Colorful mural of a fox, owl, and raccoon at Blackbook Ink in Australia.

Firstly who are you and where are you from?

My names Alex Sugar and I’m originally from Perth, Western Australia, the most isolated city in the world (fun fact number 1) – I grew up basically surfing every day with mates before and after school as we only lived about 10 minutes from the beach, I wasn’t much of a good student at school so every so often my mum would let me skip school and take me surfing, cheers mum haha.

How do you think this affected you on your journey towards being an artist?

My family is pretty creative so they always pushed me with my drawing and painting but High school was when I became aware of urban art through a handful of kids in my year that were really getting into it, they would show me some of their pieces and charo’s etc which I really loved, that sparked my interest in painting with spray paint  for sure but I didn’t get into it till I was about 18/19.

Vibrant mural featuring a snake and octopus on a red brick wall in Australia.

When/How did you know you wanted to be a mural artist?

I’ve wanted to be an mural artist since about 20 maybe 21 years old, before then I wanted to be a professional surfer lol… I had a solo show of my studio work so i was really into painting canvases and drawing more so than walls at the time, I was painting at night and on weekends with my friends who got me into using spray paint which was amazing, I’m forever grateful to them for that, which then led me onto taking mural work a lot more serious, especially when we made the move to Melbourne.

How did you learn to do what you do?

After high school i met a group of friends through my cousin who were painting, they knew I did a bit of drawing so they got me into, we would paint some freeway spots and back of warehouses etc at night and down at the famous power house building in Fremantle which was helpful in learning can control and being able to paint quickly – then the lads i paint with here in Melbourne have taught me a lot about productions, lettering, being smarter about painting and overall style.

Street art mural of a woman with a snake on her arm at Blackbook Ink.

What/Who are some of the inspirations for you and your art?

Early on I was most definitely inspired by the wave of album art cover painters and fantasy artists from the 70’s. People like Rodney Matthews, Patrick Woodrolfe, MC Escher, Roger Dean, Frazetta, Rick Griffin etc.
In the graffiti world, it was writers like Hams, Bribe, Nice, Merda, Duel, Puzle, Unique, Prins, Dmote etc
Though more locally, my childhood friend Porns was also a huge influence on me and is probably one of the best artists I’ve come across.

Did this help guide you to where you are today?

At first, I would try and paint like these guys, but they were obviously masters of their craft and attempts at emulating their work would always look second rate and sloppy.
I remember after spending time with Porns and looking at his artwork. I’d come home with the images of his work in my head and find it frustrating that mine didn’t compare. It took years to realise that everyone has their own story and things that interest them.
So, it’s self-defeating to try and do work that has already been done as anything other than an exercise.
Once I stopped trying to be like anyone else, it all became a lot easier to find my feet.


You have been a successful mural artist for a number of years now. So what led you to start painting murals commercially?

When I first left High school, after doing various courses in painting, I got a job doing a traineeship in Architectural rendering.
That lasted for about a year or so, and I spent my spare time painting canvases. A lot of my friends were artists also, and we taught each other painting techniques with various mediums.
I did my first couple of paid murals in 1995, when I lived at the gold coast. But it wasn’t until the year 2000 that I was offered a mural job in what was called the “snoozling room” of a respite centre, by a friend who worked in community care. The Councillor for that division of my local Council saw it and asked if I could do a job for her, and I’ve been painting murals fulltime ever since.

Vibrant mural featuring native Australian wildlife and flora by Blackbook Ink.

What direction do you feel your art is going?

That’s a hard question to answer. Probably a loose form of realism based around the native fauna and flora I see in my world.
Sometimes interspersed with cubist elements, and sometimes I like to take a more cartoonish approach?
Use of colour is a big component for me, colour and light.

Tell us a little about how you like to work?

It depends on what it is I’m working on. If it’s a private mural, with a definite brief attached I like to research the subject matter extensively before doing designs, but if I’m painting for myself then it’s a looser process of following the inspiration where it leads.
Typically, I paint by myself, with the radio on to distract that part of my brain that desires company while I watch my hands work.
I don’t mind painting with company, but it doesn’t always lead to a better result and sometimes makes it awkward if things aren’t going to plan and need to be changed/or fixed afterwards.

Vivid snake graffiti mural with detailed scales and vibrant colours.

What music is on your playlist at the moment while you work?

I don’t have a current playlist. I used to like listening to Blues and Soul, but in more recent times I find I’m tilting towards Jazz and Classical music. Mostly though, I don’t even notice what is on and tend to let some ABC radio station drone on with whatever in the background.

If you could share a message with the next generation of graffiti artists, what would it be?

The only real advice I would suggest to someone looking at getting into painting Graffiti or Murals would be to study what it is about the work that you like. Then take those elements and use them in a new way that inspires you to go further. So that your work is uniquely yours.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Alex Sugars work at:

@_alexsugar_

Website

Colorful mural of a baby animal riding a turtle on a house wall in Australia.

Colorful jungle-themed mural featuring a bird and a possum at Blackbook Ink.

Dont forget to check out the blog for other interviews with artists such as:

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In Artist Interviews

Artist Interview – Gipse aka Deo

Vibrant graffiti mural with 3D effects on a black brick wall.

Artist Interview – Gipse aka Deo

Colorful graffiti mural by artist Gipse aka Deo in blackbook ink style.

Firstly who are you and where are you from?

Hi, I’m an artist by the names Gipse and Deo.
I grew up on the southside of Brisbane in an area that was considered rural 40 odd years ago, but has slowly been enveloped by suburbia since. Leaving the area a patchwork of acreage blocks and highly condensed suburbs. With choked roads at times and roadkill all over the place.

What was it like in that era compared to these days?

When I first started out in the graffiti scene in the 80’s. It was hard to find in the real world. In the early 80’s, you would come across it initially in the media and movies but nobody really knew what it was. It was secretive and mysterious. By around 1985, you would start to see some pieces around in various places but it was far from common.
I first really started seeing it in the Sunnybank area (south of Brisbane). With writers like Tez, Hams, Jafa etc doing the first pieces in highly public areas. I remember going to a school sports carnival that year at Beenleigh and around the school grounds was the first graffiti I had the chance to get close enough to have a proper look at. Never did find out who did it, and no one I have spoken to seems to have seen or known about it.
Then in 1986, at little athletics I met twin brothers who were writing the names Tooz and Wiz (or Faze I can’t remember which). Tooz brought in Subway Art to show me one afternoon. He did a character and a little piece in my exercise book. Showed me barcode 3d and explained that was a technique for doing shading in the 3d of the letters.
At the time they had done the very first painted pieces in my area. Which was exciting to me, knowing who had actually painted it.
I was enthralled by it I guess and began doing my dodgy bubble letter headings every chance I had. By 1987, I was in high school and met a few other kids who were into as well. But it wasn’t until the next year that I met Porns and Disne and we started painting as a crew.

Vibrant graffiti mural at Blackbook Ink studio in Australia.

early 90s graffiti in Brisbane by Diohe

Graffiti artwork on a wall at Blackbook Ink tattoo studio in Australia.

How do you think this affected you on your journey towards being a graffiti artist?

Back then, I wasn’t all that interested in drawing much else, but my Dad, seeing what I was doing and being the reasonable man that he was. Suggested that if was going to start drawing graffiti than I should spend an equal amount of time drawing more traditional imagery as well.
Hoping that graffiti was just a stage I was going through and at least I’d learn some new skills while I was at it. So, I did and kept doing both as I grew older.


When/How did you know you wanted to be a graffiti writer?

I liked graffiti when I first saw it in the early 80’s Breakdance movies – Breakdance 1 and 2. Breakdancing was kind of popular in the 83/84 period and my older cousins were pretty good at it. They had some instructional books and I’m pretty sure even the breakfast cereal Weetbix came out with little brochures, showing you how to do some basic moves.
There was a group of older guys at my primary school who were breaking too, and they would walk around with a painted up radio, dancing near the tuckshop.
Personally, I tried breakdancing, but never got far. But it wasn’t until one of my older cousins showed me one of his sketches, that I realised that I could do graffiti . I might not be able to breakdance but I could draw letters.

Colourful graffiti mural with abstract shapes and a smiling face in the centre.

Gipse bio tech graffiti

Vibrant graffiti mural featuring mushrooms and abstract designs by Blackbook Ink.

Vibrant graffiti artwork by Blackbook Ink on an urban wall in Melbourne.

What/Who are some of the inspirations for you and your art?

Early on I was most definitely inspired by the wave of album art cover painters and fantasy artists from the 70’s. People like Rodney Matthews, Patrick Woodrolfe, MC Escher, Roger Dean, Frazetta, Rick Griffin etc.
In the graffiti world, it was writers like Hams, Bribe, Nice, Merda, Duel, Puzle, Unique, Prins, Dmote etc
Though more locally, my childhood friend Porns was also a huge influence on me and is probably one of the best artists I’ve come across.

Did this help guide you to where you are today?

At first, I would try and paint like these guys, but they were obviously masters of their craft and attempts at emulating their work would always look second rate and sloppy.
I remember after spending time with Porns and looking at his artwork. I’d come home with the images of his work in my head and find it frustrating that mine didn’t compare. It took years to realise that everyone has their own story and things that interest them.
So, it’s self-defeating to try and do work that has already been done as anything other than an exercise.
Once I stopped trying to be like anyone else, it all became a lot easier to find my feet.


You have been a successful mural artist for a number of years now. So what led you to start painting murals commercially?

When I first left High school, after doing various courses in painting, I got a job doing a traineeship in Architectural rendering.
That lasted for about a year or so, and I spent my spare time painting canvases. A lot of my friends were artists also, and we taught each other painting techniques with various mediums.
I did my first couple of paid murals in 1995, when I lived at the gold coast. But it wasn’t until the year 2000 that I was offered a mural job in what was called the “snoozling room” of a respite centre, by a friend who worked in community care. The Councillor for that division of my local Council saw it and asked if I could do a job for her, and I’ve been painting murals fulltime ever since.

Blackbook Ink shop front with outdoor signage and lush greenery.

Vibrant bird tattoo on wood with green background and natural details.

Fantasy art of a person riding a snail through a magical forest.

What direction do you feel your art is going?

That’s a hard question to answer. Probably a loose form of realism based around the native fauna and flora I see in my world.
Sometimes interspersed with cubist elements, and sometimes I like to take a more cartoonish approach?
Use of colour is a big component for me, colour and light.

Tell us a little about how you like to work?

It depends on what it is I’m working on. If it’s a private mural, with a definite brief attached I like to research the subject matter extensively before doing designs, but if I’m painting for myself then it’s a looser process of following the inspiration where it leads.
Typically, I paint by myself, with the radio on to distract that part of my brain that desires company while I watch my hands work.
I don’t mind painting with company, but it doesn’t always lead to a better result and sometimes makes it awkward if things aren’t going to plan and need to be changed/or fixed afterwards.

Vibrant graffiti mural by Blackbook Ink on city wall in Australia.

Vibrant blue and purple graffiti mural at Blackbook Ink.

dee ten graffiti in Brisbane

What music is on your playlist at the moment while you work?

I don’t have a current playlist. I used to like listening to Blues and Soul, but in more recent times I find I’m tilting towards Jazz and Classical music. Mostly though, I don’t even notice what is on and tend to let some ABC radio station drone on with whatever in the background.

If you could share a message with the next generation of graffiti artists, what would it be?

The only real advice I would suggest to someone looking at getting into painting Graffiti or Murals would be to study what it is about the work that you like. Then take those elements and use them in a new way that inspires you to go further. So that your work is uniquely yours.

Thank you very much for your time and we look forward to seeing more of your amazing work.

Vibrant graffiti mural featuring a koala on a green wall at Blackbook Ink.

Brisbane mural of a food truck

Colorful graffiti mural with blue and gold abstract design on wall.

Vibrant graffiti mural at Blackbook Ink studio in Australia.

Dont forget to check out the blog for other interviews with artists such as:

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In Business & Commercial Murals

Tax deductible street art

Open-plan office with employees working at desks in Sydney.

Tax deductible street art                

 

We know from our own experience that art not only boosts morale in the work place. But it can distinguish businesses and impress clients. Now the government is giving small business a reason to invest in some custom canvas artwork for your business.

Following a recent budget stimulus announcement, the threshold of the Instant Asset Write-off Scheme is set to soar from $30,000 to $150,000. What’s more, the deadline for making any claims is usually fixed as the end of the financial year in June. In response to the Covid-19 pandemic, this deadline has recently been extended a further six months, giving a small business a better chance to acquire and install assets. So, you can now claim back up to $150,000 spent on artwork for your small business before the extended deadline of 31st December 2020.

To be eligible there are a few requirements that must be met in order for the art work to be considered, they are as follows.

  • Businesses must have a turn over under 2 million
  • Must be used in some way for the business
  • Must be displayed / used in the business
  • Art work should be tangible
  • Art work must be able to be moved to another location i.e. canvas
  • Art work must be created by an artist with a registered ABN

So If you’re lobby, office, restaurant or bar is in need of new artwork now is the perfect time to contact our team and get your custom designed canvas artwork before the end of June 2019.

We do how ever recommend that you talk with your accountant so they can explain exactly how this will work for you and your business.

Make sure you check out  our corporate murals for some ideas of what we could paint for you

 

Send us a message if you would like to discuss what we could create for your workspace.

graffiti canvas art

Modern Sydney office with employees working at desks and artwork on walls.

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In Artist Interviews

Artist Interview – Askew

Colorful graffiti mural with abstract shapes and bold lines in blue, green, and purple hues.

Artist Interview – Askew

Firstly who are you and where & how did you grow up?

I’m originally from a small city in Aotearoa New Zealand called Palmerston North. It’s in the lower North Island, a couple of hours drive from the capital Wellington. My parents were teens when they had me and didn’t stay together too long. We all ended up in Auckland though around 1984. I grew up with my mother & stepfather in the central suburb of Morningside and would also spend time out West with my father.


How do you think this affected you on your journey towards being an artist?

My parents were into punk rock so I grew up around a lot of interesting and creative people. Being that they were young and under resourced, art was a cheap and effective way to entertain me. When we moved to central Auckland a lot of the early graffiti writers were active around my area so I was exposed to the work of people like Smooth Crew around the age of 5 or 6.

When/How did you know you wanted to be a graffiti/mural artist?

In 1993 I started tagging with my friends but it wasn’t anything too serious. It was social, I was into making music and we would have these gatherings every Friday night at the Ponsonby community centre were we would pool our equipment and have these open freestyle sessions. We’d also drink and smoke a lot then go tag afterwards. Maybe by the time I was 16 or 17 I started to take it seriously. I quit all drugs and alcohol and poured my energy into it.

How did you learn to do what you do?

A combination of trial and error, observing older people and also I had an interest in digital media during my last years of high school. Didn’t have a computer or internet connection at home but spent loads of time at school looking at Art Crimes and practising my colour and fill ideas on photoshop. I also started organising a festival around the age of 20 and through that was exposed directly to a lot of my heroes who taught me a lot. People like Daim, Loomit, Cantwo, Atom, Wow123, Ewok, Totem2, Bates, Dmote.

Where would you say graffiti has taken you with your career?

It’s taken me all around the world. I’ve spent the last 17 years travelling non stop. The last decade or so I spent on the mural festival circuit I guess, painting large scale work everywhere from Australia, USA, China, UAE, Singapore, Indonesia, Germany, France to Tahiti. Until the pandemic hit it was pretty consistent.

What is your dream project?

My current dream project is to build out my ultimate studio/creative space with full on painting, print, design, photography, editing suites and possible exhibition area. I want it to be a culmination of everything I’ve set up in the past but with all lessons from mistakes learned. If I can’t be traveling I want to build somewhere I’m happy to base myself more permanently. I want it to be a resource for other people working in the post graffiti realm to focus and being their work to the highest level.

Your favourite or most inspirational place/spot you have painted?

I still think Papeete, Tahiti is one of the coolest places I’ve painted.

What/Who are some of the inspirations for you and your art?

I’m interested in exploring the concept of human movement through urban spaces. That’s essentially what graffiti is at a macro level. I like playing with technology and analogue processes in tandem to create new outcomes. The list of artist I admire is too long to list.

Did this help guide you to where you are today?

Art is a pretty self indulgent process in many ways. You find an entry point and dive in, see where it takes you. Often your starting point doesn’t resemble where you end up.

What are your personal goals now and in the future as a professional artist?

Pretty much what I listed above. Graffiti itself isn’t my main mode anymore but still inspires and drives my ethos.

Tell us a little about how you like to work. (Alone, with others, in phases, details, etc…)

I like all modalities, I am constantly working though. I do a lot of my studies digitally and on the fly. Sometimes I churn out hundreds of ideas then problem solve turning them into something analogue.

What direction do you feel your art is going?

I said graffiti still informs a lot of what I do but I don’t consider myself someone currently pushing the boundaries of graffiti painting. I may have another season of that, but my peak years were 2007-2014. During that time I did my best pieces and was obsessively painting letters.

What’s the biggest misconception other people have of artists who use spray paint?

I think graffiti is too broad a culture in itself to narrow down the people that do it too much. It’s a wide gamut. Any generalisation could stick to at least a subsection of the community but not all. I do think there are a lot of people who want to be something of their own making, plenty who are dealing with trauma and loads with ADHD.

What are your thoughts on the whole graffiti vs street art battle?

I’ve given up caring. At this stage it’s counter productive. There’s so much low trust and cannibalistic behaviour within the graffiti scene anyway, plenty will find something to gripe about no matter what it is. To me the lines are becoming so blurred and that’s evolution. Change is inevitable. I used to feel more strongly only because of what my friends and I went through but now I also realise we chose to martyr ourselves so that’s no one else’s fault really.

What is your opinion on letter structure versus effects?

I like a healthy balance of both personally. My measure was always, am I doing something new that even a purist or oldschool head would appreciate. I didn’t always achieve it but my best work was when I did.

How do you see graffiti evolving over the coming years and into the future?

Based on current trends I see it evolving in many directions. I see graffiti writers embracing large abstract letter based murals – not feeling that it has to be figurative and celebrating and elevating their graffiti roots. I see interesting things happening in the digital AR and VR spaces too. I also see a lot of people doubling down on the more purist aspects too. The democratisation of high end documentation through technologies like DSLR’s and drones has meant so many new spaces are up for grabs and it can be conveyed and shared with the world in a slick way.

If you could share a message with the next generation of  artists, what would it be?

Evolve. Study the history and look for pockets or areas that haven’t been pushed yet versus doing self referential work based on things that have been done to death.

There any up and coming artists that we should keep an eye out for?

Too many. Contrary to a lot of attitudes amongst my peer group and older I think this is an exciting time full of innovation.

Any shouts out you you would like to give?

To all my friends around the world!

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Askew’s work at:

@askew 

Website

Dont forget to check out the blog for other interviews with artists such as:

Interviews like this sit alongside our own documentation of the urban art Perth scene, where our artists have painted commissions across Western Australia.

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In Artist Interviews

Artist Interview – Dcydes

Colorful mural featuring a woman with a rose covering one eye, vibrant abstract background.

Artist Interview – Dcydes

Firstly who are you and where & how did you grow up?

Hey, My names Daniel Cydes I’m a Muralist from Sydney’s Inner-west.
I grew up In the Blue Mountains heavily immersed within the graffiti and Hip-hop scene.


How do you think this affected you on your journey towards being an artist?

Where I’m from contributes massively to who I am and how I express myself as an artist.
The Mountains has an extremely rich creative culture that embraces all types of art forms and people from each demographic, this played a major role in my story as it gave me and many other young people a sense of community, direction, and support.

When/How did you know you wanted to be a graffiti/mural artist?

I started tagging when I was about 10-11 and from that point, I knew this is what I wanted to do for the rest of my life.
I stopped being a bomber early on and got heavily into piecing, this slowly transitioned to being more and more like the murals I create now.

How did you learn to do what you do?

I was super lucky, I’ve had many different mentors in my time and through practice and watching them paint I’ve been able to grow to where I am now.

Your favourite or most inspirational place/spot you have painted?

My favourite spot would have to be a secret wall my friends and I used to paint called the dojo, as there are no legal walls in the mountains you have to find secret spots to practice. That and the slums of Nepal, painting there is unlike anywhere else, everybody loves it.

Do you any stories that stick out over the years, that you could share with us or perhaps a certain memorable project you have painted?

Many that I can’t share but a memorable project for me would be the 3 story wall I painted in Nepal, I did it on Bamboo scaffolding and cut through the tendon on my painting index finger by accident so I had to complete half the mural with my left hand haha.

What/Who are some of the inspirations for you and your art?

My crew and painting friends have been the biggest inspiration for my art,
that and all the shades of the human experience; life, death, love, pain, joy, sex, drugs, highs and lows, connection, and Nature.

Did this help guide you to where you are today?

Massively, If I didn’t have the support network of my Crew, I think I would have dealt with the difficulties of life in far more destructive ways.

What are your personal goals now and in the future as a professional artist?

I would like to make more time to do free walls preferably large scale, make more painting videos, explore more mediums and try to be as original as possible.

Tell us a little about how you like to work. (Alone, with others, in phases, details, etc…)

Depends on how I’m feeling on the day, I usually work alone but I get a lot of joy out of collaborating with other artists.

What direction do you feel your art is going?

I have absolutely no clue, hoping to explore portraiture in a more stylised direction but not really sure where that will take me or what it will look like.

What’s the biggest misconception other people have of artists who use spray paint?

That we’re going to mug you, be a bad influence on your children and that we’re all criminals.

What are your thoughts on the whole graffiti vs street art battle?

I think all art in the streets is a positive thing for humanity,
unfortunately, people like to feel as if their art form is on a higher level and has a deeper purpose because it has more culture, money, clout, success or whatever but in reality we’re all just ape descendants floating on a rock in space.

If you could share a message with the next generation of  artists, what would it be?

Have fun, experiment and make as many friends as possible.

There any up and coming artists that we should keep an eye out for?

There’s a lot of talent out there most are of the names mentioned are not necessarily young but are very fresh such as;
Hugotees,  Antonio Lazarus, itsjordache, Ohtis, PGR crew, Jimbo, The Brightsiders, Jordan Lucky, Nitsua too many to name

Any shouts out you you would like to give?

Thanks to Scott Nagy, Ghost, Grils, Alex Grilanc,  Phuckos, Mahtous, Krimsone, Kula, Smerk, Chasm, Jonoe, Polar, Verms, Sider, Inovis, Kennafilms, Adam Scarf Photography, Knoswet, Shmick, for being absolute legends and for inspiring me.

Thank you very much for your time and we look forward to seeing more of your amazing work

You can find more of Dcydes work at:

@dcydes 

Dont forget to check out the blog for other interviews with artists such as:

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In Business & Commercial Murals

How Murals Help Your Brand Identity

Contemporary office space featuring vibrant wall murals and glass partitions.

How Murals Help Your Brand Identity

 

Its not enough to say your business is different or it’s the best, it needs to be seen.

You may be wondering what it is we are talking about, its called brand identity and its one of the most crucial aspects of a business. It’s essential because it represents the company values, services, ideas and personality.

Brand identity is how a business wants to be perceived by its customers. It has visual elements such colours, design, logotype, name and symbols. These elements are combined in order to achieve the brand identity.

From the moment people see your logo, visit your website or walk into your business. They instantly form an opinion about it based on the visual impact they receive from your brand identity. This also has the ability to invoke an emotional response from clients such as thoughts, feeling and most importantly expectations.

It is one of your most powerful assets and when creating this you should always use the services of a company with a high degree of professionalism.

It can be a long and daunting process trying to create the right brand identity for your business. As this is all about a balance creating something unique that makes an impact but not so much so that it causes potential clients to avoid you.

 

Here are some key points we encourage our clients to think about when assisting them in creating their brand identity

  • Is it recognisable: by being simple and clear
  • Does it give your business personality
  • Does it stands out from competitors

 

By ensuring that you have a clear idea about those points it allows for your business brand identity to see some of the following key benefits

 

  • Awareness- your identity becomes more developed and recognisable, in turn awareness of your business will grow.
  • Position- symbols and values encourage your business growth
  • Savings- well-designed identity will save you lots of money. No need to constantly reinvent graphics, your identity is well-established and solid and reputable.

 

Having a strong brand identity can see even greater benefits for your business such as:

 

  • Customer loyalty and trust
  • Brand preference
  • High credibility
  • Financial returns

 

We like to take things one step further when helping our clients create a brand identity. We encourage businesses to create a statement artwork/mural within the business that incorporates all the key points mentioned so far and carries that on into the workplace.

A visual image like a mural in the business catches attention, makes an impact and engages potential clients. We are able to help create art work that represents your business values, services, ideas and personality.

 

We have successfully helped numerous clients in building their business from the ground up and watch them grow and become incredibly successful. Simply by taking the time to use professional services from the beginning.

 

Once you have established your brand identity it is important to also ensure that it is clear not only in your business. But also on one of the most important and powerful platforms businesses use today that is social media.

Your social media should contain engaging content, high quality images and short videos. All of this helps to create awareness of your brand and build trust which is vital for the success of your business.

If your unsure about how to go about creating the fundamental part of your business then we can assist you with that, we have a team of professional and qualified graphic and web designers, photographers and artists.

We can take care of everything for you from logos, photography, website design, social media, content management and artwork.

 

Our passion is making our clients dreams become a reality.

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In Artist Interviews

Artist Interview – Krimsone

Vivid mural by Krimsone featuring a woman and mythical creatures in a forest scene.

Artist Interview – Krimsone

Firstly who are you and where are you from?

My name is Krimsone and i grew up in the Blue Mountains, NSW.

How do you think this affected you on your journey towards being a graffiti/mural artist?

The Blue Mountains is a very beautiful and inspiring place. The natural beauty of the place is breathtaking but also the graffiti scene growing up was amazing. The Blue Mountains has always been quite isolated and art and music has thrived there and developed its own style with out too much inspiration from external places. So the uniqueness of the area and scene was the most moving for me on a journey as an artist.


When/How did you know you wanted to be a graffiti artist?

I cant remember if there was a time I made that decision. I just always naturally created art. Growing up painting I never cared where it would take me as long as I was doing it. Im very grateful that as I progressed it has taken me to where I am today.

Your favourite or most inspirational place/spot you have painted at?

I have so many and every one is very unique but Kosovo “Meetings of Styles” last year was very fun and definitely inspiring. I have never painted with so many good artists and writers from all across the world.

graffiti mural by krimsone and friends

What/Who are some of the inspirations that drive you to paint?

My biggest inspiration is the natural world and i try to take as much as I can from it. But growing up it was definitely the graffiti scene and the writers in it in my area. When i saw some of the progression of art and graffiti in the Blue Mountains when I was younger it blew my mind.

Did this help guide you to where you are today?

Yes. Definitely.


Tell us a do you have any memorable moments/stories/chases you could share from a painting mission?

There are definitely too many to mention. I love where painting takes you and the people you meet.


What are your personal goals now and in the future as a professional mural artist?

Much larger walls with a more experimental direction.

Tell us a little about how you like to work. (Alone, with others, in phases, details, etc…)

Studio work I love to work alone. Its very therapeutic working in the studio with just yourself. Painting out doors I don’t mind either. Most of the time I’m working on murals with my best friend Scott Nagy so I’m very lucky in that aspect.

But Its always fun meeting new artists and writers from new places and painting with them.

What direction do you feel your art is going?

Hopefully in a more imaginative and abstract path.

What’s the biggest misconception the general public have of graffiti artists?

Probably that it’s mindless.

What are your thoughts on the whole graffiti vs street art?

I try to not pay too much attention on it all . I just like to paint things whether its graffiti or canvas, walls or metal. I don’t really care what people label it. I think people who are genuine in the scene know the others who are too.

If you could share a message with the next generation of graffiti artists, what would it be?

I don’t think I’m in a place to give advice but I will say sketching is very important.

There any up and coming artists that we should keep an eye out for?

Resio is killing it

Any shouts out you would like to give?

Big ups to Scott Nagy, Ghost, Kular , dcydes and hugotees.

Thank you very much for your time and we look forward to seeing more of your amazing work.

You can find more of Krimsone work at:

@krimsone

Dont forget to check out the blog for other interviews with artists such as:

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In Artist Interviews

Artist Interview – Taske

Colorful graffiti artwork on a wall at Blackbook Ink studio in Australia.

Artist Interview – Taske

Taske mia Newcastle graffiti artist

Colorful graffiti mural on wall at Blackbook Ink studio in Australia.

Firstly who are you and where are you from?

Taske MIA I’m from the Eastside of Sydney but currently live in Newcastle.

What is graffiti to you?

Letters… bending and flexing them to create style. Sharing your love of letters and graffiti with others. Not conforming to parameters but stretching boundaries and inventing. Hand styles, throw ups, wild style and straight letters.

How do you think this affected you on your journey towards being a graffiti artist?

Some aspects were more helpful than others, I mean if I hadn’t followed some basic framework for style then I may have ended up blurring the lines between graffiti and some sort of contemporary street Art.

Graffiti is about letters for mostly, everything else is added to create the full composition of a master piece i.e. characters, backgrounds, effects etc… I can throw as much of that stuff at a piece but my letters will intimately dominate what my artwork is and how my message is delivered.


When/How did you know you wanted to be a graffiti writer?

I think I wanted to be out in the streets to begin with and graffiti just came with that, hanging out with the other kids who were allowed out whenever to do whatever… marker pens and solids were around, in the east there was a lot of graffiti. But when I was first told that hands weren’t gonna get me the street respect I desired I soon moved onto pieces and after I nailed my first highlight I think I was hooked.

Your favourite or most inspirational place/spot you have painted at?

Man I still love abandos… the power station in Fremantle at sunset… amazing!!! I went to another one recently same feeling. But any abando really, I find the whole post apocalyptic eeriness complements graffiti… That type of space feels like home to me… maybe when the ass falls out of it all I’ll just camp out in one like so many randoms I’ve met along the way in abandos.

Taske and Dboe in Bali

What/Who are some of the inspirations that drive you to paint?

Other painters, as soon as I see it in action I want in. I love a letter scientists, seeing what others do with there letters really gets me excited. Older writers that posses the funk and the message of our culture. Getting to paint with og’s allows me to experience times i missed out on and grasp a better understand of style.

Did this help guide you to where you are today?

Honestly I don’t really know where I am though. Progressing style wise I guess.

Tell us a do you have any memorable moments/stories/chases you could share from a painting mission?

Yeah I’ve got stories and missions successful and not successful, but id rather talk about me and my boy Dboe in uluwatu last year. Old mate sent us to this spot where we had seen heaps of monkeys. So we rocked up and tried to paint a bit further up from them but as soon as we started they all come for a look… like about 50 and a couple decent alpha males… one of the local lads said there mean as and not to mess with them. This big male stared us down from on top of the wall a showed his teeth, they were like 2 inches long. I looked at Dboe and he looked at me, but it was to late we had started painting and id had a couple bintangs, just enough to be a little crazy. So we painted on, it soon became evident that we would need to keep all our tins beers and water bottles  together as the monkeys wanted anything they could  get there hands on. Eventually I threw one an empty tin, he was amazed with it, first he tried to drink from it then when he realised it rattled began rolling it down the street. So we worked out if we gave the monkeys our empty cans they would basically race them down the street for hours essentially leaving us alone to paint. Accept this one monkey who was a little male and he was obsessed with me painting, watching and following me on top of the wall trying to emulate my movements with an empty can, this monkey was getting schooled in Graff… it was a trip. We finished just on dark and just as all the monkeys were starting to hang around again so we bailed and got flick the next day.

The end…


What direction do you feel graffiti is going these days with style?

Basically every direction… the internet has broken down all the boarders of style… style is now shared globally… for those who are looking to develop and expand style its all out there… however should our culture take a turn away from letters as a few niche pockets have, I ain’t buying that. No way…

 

What is your opinion on letter structure versus fancy effects?

As I said earlier letters letters letters, if i cant do a one colour piece then what do i have but a bunch of tricks hiding some weak style. 

Colorful graffiti mural featuring bold lettering and cartoon characters by Blackbook Ink.

What’s the biggest misconception the general public have of graffiti artists?

That they paying $30’000’000 a year in tax payers dollars to buff trains… be real!!! And that if there weren’t  these subcultures, then where would alot of the truth come from???

What are your thoughts on the whole graffiti vs street art?

Do whatever you want as best as you can, just be careful not to step on toes.

What direction do you see graffiti heading in the future?

It won’t disappear, but media and technology will change it up… social acceptance will effect it more… in fact the money rolling in from mainstream exposure might just be the blade to slice graffitis throat… who knows and I’ll be old and waffling on about back in my day…

Vibrant graffiti mural by Taske at Blackbook Ink in Australia.

Colorful graffiti artwork on a wall at Blackbook Ink studio in Australia.

If you could share a message with the next generation of graffiti artists, what would it be?

Study your history properly. Don’t surf the net for the flashy effects look for the original style and you will find the lineage as it passes down in every country its there. NYC subway graffiti start there.

There any up and coming artists that we should keep an eye out for?

Yeah I know a few young blokes giving it a solid crack but Im not gonna balloon that shit out of proportion on them.

Any shouts out you would like to give?

All my MIA Jacaranda swilling high style flyers!!! And all of you! And all that don’t wanna shout, ya get one anyway… I’m not perfect just another rat in the rat race

Thank you very much for your time and we look forward to seeing more of your amazing work.

You can find more of Taske work at:

@chriztaal_balls

Dont forget to check out the blog for other interviews with artists such as:

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In Graffiti & Street Art

Hosier Lane Vandalism Or Art

People photographing graffiti art and vandalism in Hosier Lane, Melbourne.

Hosier Lane Vandalism or Art

We have been getting asked a lot about Hosier Lane lately, due to this group of graffiti writers.

Painting the Hosier Lane with fire extinguishers painting over a large area in February 2020.
This covered a lot of the artwork that was on display, whilst also getting paint on the cobblestones in the process.

There has been a media outcry with stories in the newspaper and even on the news about the activity by a small number of youths.

 

This is kind of ironic as art has been gone over on a daily basis in that lane way for years.
They weren’t doing anything out of the norm and even back in 2013 a controversial street artist painted one of the city’s iconic laneways completely blue.

The street artist  painted Rutledge Lane, which connects to the jewel in Melbourne’s street art crown, Hosier Lane, with a blockout of baby-blue paint, destroying every piece of artwork in the colourful lane.

The project was sponsored through RMIT with Council funding, Lord Mayor Robert Doyle confirmed  he was informed of the project. As it was an attempt to breathe new life into the heavily graffitied precinct.

Street art before and after transformation in Hosier Lane, Melbourne.

View from above of Hosier Lane with street art and graffiti.

Graffiti and street art on a blue urban wall in Hosier Lane.

Now, according to an article from “The Guardian”, this group of youths are under police investigation for painting over a well-known legal space that is meant to be open to all aspects of street art, graffiti, stencils, abstract art etc.

So how is it acceptable that council can pay a street artist to paint one of these laneways completely blue, going over every single piece of art.

Yet these youth are tarnished as vandals for using fire extinguishers as they did the same thing for free.

Even in Sydney an abstract artist was commissioned to paint at the Domain in the CBD.  The artwork was just fire extinguishers filled with paint sprayed over the entire wall.

Since it’s a commissioned public art piece from a known artist it’s accepted amongst the community.

Whereas this act in Melbourne is seen as just pure vandalism.

 

Colourful waterfall art installation in Hosier Lane Melbourne.

Colourful graffiti mural on Hosier Lane in Melbourne, Australia.

City skyline with street art mural in Hosier Lane, Melbourne.

Where is the line drawn between what is art and vandalism?

From what we are aware this group of youths  didn’t have any malicious intent and went there as its a legal place to paint.

The reason behind wearing balaclava’s and using the fire extinguishers as seen on the footage shown on the media, a drone was filming to gather footage for a film clip.

This makes it no different than all the businesses, corporations and people who commission artists to paint work for them.

As it’s a known legal area to paint which is what made it what it is today as this high foot traffic destination where people get to take photos of artists painting walls.


At times there is some rather impressive work done at Hosier Lane which attracts the 5000 a day foot traffic through the area.
But like all legal walls around Australia within this sub culture, it’s known that painting at such spots – nothing lasts forever.

Colourful street art mural on Hosier Lane in Melbourne.

Street artists creating vibrant graffiti mural in Hosier Lane Melbourne.

Graffiti of a koala holding a spray paint can in Hosier Lane, Melbourne.